000			03106cam a2200445 i 4500
005			20221101190001.0
008			060220s2005 enk b 001 0 eng d
010			_a 2004099430
011			_aBIB MATCHES WORLDCAT
020			_a0761944907 _qcased
020			_a9780761944904 _qcased
035			_a(ATU)b1111731x
035			_a(OCoLC)58053615
040			_aUKM _beng _erda _cYUS _dUKM _dDLC _dSTF _dBAKER _dYLS _dCOO _dNLGGC _dYDXCP _dBTCTA _dIG# _dATU
042			_apcc
050		4	_aK1457.15 _b.M37 2005
082	0	4	_a306.4842 _222
100	1		_aMarshall, Lee, _eauthor. _91058297
245	1	0	_aBootlegging : _bromanticism and copyright in the music industry / _cLee Marshall.
246	3	0	_aRomanticism and copyright in the music industry
264		1	_aLondon ; _aThousand Oaks, Calif. : _bSAGE, _c2005.
300			_aviii, 169 pages ; _c24 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aTheory, culture & society
504			_aIncludes bibliographical references (pages 160-167) and index.
505	0	0	_g1. _tLessons from history -- _g2. _tCopyright and the Romantic author -- _g3. _tRomanticism and popular music -- _g4. _tRomanticism, copyright and piracy -- _g5. _tProblems and alternatives -- _g6. _tIntroduction to bootlegging -- _g7. _tAn overview of bootlegging -- _g8. _tThe impact of bootlegging on the record industry and the industry's response -- _g9. _tThe dialectic of romanticism and the symbolic significance of bootlegging.
520	1		_a"Bootlegs - live concert recordings or studio outtakes reproduced without the permission of the rights holder - hold a prominent position in the pantheon of popular music. They are also much misrepresented and this fascinating book constitutes the first full length academic treatment of the subject." "By examining the centrality of Romantic authorship to both copyright and the music industry, the author highlights the mutual dependence of capitalism and Romanticism, which situates the individual as the key creative force while challenging the commodification of art and self." "Marshall reveals how the desire for bootlegs is driven by the same ideals of authenticity employed by the legitimate industry in its copyright rhetoric and practice and demonstrates how bootlegs exist as an antagonistic but necessary component of an industry that does much to prevent them." "This book will be of great interest to researchers and students in the sociology of culture, social theory, cultural studies and law."--BOOK JACKET.
588			_aMachine converted from AACR2 source record.
650		0	_aSound recordings _xPirated editions _xSocial aspects.
650		0	_aCopyright _xMusic _9316199
650		0	_aCopyright _xMusic _xSocial aspects.
650		0	_aRomanticism _9323489
830		0	_aTheory, culture & society (Unnumbered). _9238345
907			_a.b1111731x _b23-03-18 _c27-10-15
942			_cB
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998			_ab _ac _b23-03-18 _cm _da _feng _genk _h0
999			_c1167541 _d1167541