000			01947pam a2200313 a 4500
005			20221101185911.0
008			060320s2005 enk f 001 0 eng
011			_aBIB MATCHES WORLDCAT
015			_aGBA561232 _2bnb
020			_a1904764592 (pbk.) : _c£12.99
035			_a(ATU)b1111566x
035			_a(OCoLC)123231994
082	0	4	_a070.18 _222
100	1		_aWard, Paul. _91058226
245	1	0	_aDocumentary : _bthe margins of reality / _cPaul Ward.
264		1	_aLondon : _bWallflower, _c2005.
300			_a[5], 115 p. : _bill. ; _c20 cm.
490	1		_aShort cuts (London, England)
500			_aFormerly CIP. _5Uk
504			_aIncludes bibliographical references and index.
505	0	0	_g1. _tDefining documentary -- _g2. _tFiction and nonfiction : the great divide? -- _g3. _tThe changing face of the historical documentary -- _g4. _tDocumentary and comedy -- _g5. _tAnimation and documentary representation -- _tConclusion : the future of documentary.
520	1		_a"In discussing films such as Touching the Void (2003), Capturing the Friedmans (2003) and the work of Nick Broomfield, this timely introduction to the growing field of documentary explores the definition and understanding of the form, as well as the relationship between documentary and drama, specifically the notion of reconstruction and re-enactment. Paul Ward also examines animated documentaries, the meeting point of comedy and documentary modes, the ability of documentary to accurately represent historical events, and feature-length contemporary works that have achieved widespread cinematic release."--BOOK JACKET.
650		0	_aDocumentary films _xHistory and criticism _9371494
830		0	_aShort cuts (London, England) _9263864
907			_a.b1111566x _b04-10-17 _c27-10-15
942			_cB
945			_a070.18 WAR _g1 _iA405199B _j0 _lcmain _o- _p$31.05 _q- _r- _s- _t0 _u44 _v3 _w0 _x3 _y.i1241654x _z29-10-15
998			_ab _a(2)c _b06-04-16 _cm _da _feng _genk _h0
999			_c1167395 _d1167395