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035 _a(ATU)b11098235
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050 0 0 _aGV1594
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082 0 0 _a792.8
_221
245 0 4 _aThe Routledge dance studies reader /
_c[edited by] Alexandra Carter.
264 1 _aLondon ;
_aNew York :
_bRoutledge,
_c1998.
300 _axix, 316 pages ;
_c24 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
500 _a"Represents the range and diversity of writings on dance from the 1980s and 1990s"--P. [i].
504 _aIncludes bibliographical references (pages 294-304) and index.
505 0 0 _tAcknowledgements --
_tList of contributors --
_g1.
_tGeneral introduction --
_gPt. I.
_tMaking dance --
_tIntroduction --
_g2.
_tChoreographers: dancing for de Valois and Ashton --
_g3.
_tTorse: there are no fixed points in space --
_g4.
_t'No' to spectacle... --
_g5.
_tPina Bausch: dance and emancipation --
_g6.
_tImaginary homelands: creating a new dance language --
_gPt. II.
_tPerforming dance --
_tIntroduction --
_g7.
_tDancers talking about performance --
_g8.
_tI am a dancer --
_g9.
_tA dancing consciousness --
_g10.
_tSpacemaking: experiences of a virtual body --
_gPt. III.
_tReviewing dance --
_tIntroduction --
_g11.
_tBridging the critical distance --
_g12.
_tBetween description and deconstruction --
_g13.
_tOh, That Pineapple Rag! --
_g14.
_tSpring: Ashton's Symphonic Variations in America --
_gPt. IV.
_tStudying dance: conceptual concerns --
_tIntroduction --
_g15.
_tWhat is art? --
_g16.
_tA vulnerable glance: seeing dance through phenomenology --
_g17.
_tDance history source materials --
_g18.
_tEmbodying difference: issues in dance and cultural studies --
_g19.
_tAn introduction to dance analysis --
_g20.
_tDance, gender and culture --
_g21.
_tChoreographing history --
_gPt. V.
_tLocating dance in history and society --
_tIntroduction --
_g22.
_tMyths of origin --
_g23.
_tIn pursuit of the sylph: ballet in the Romantic period --
_g24.
_tDiaghilev's cultivated audience --
_g25.
_tWomen writing the body: let's watch a little how she dances --
_g26.
_t'Keep to the rhythm and you'll keep to life': meaning and style in African American vernacular dance --
_gPt. VI.
_tAnalysing dance --
_tIntroduction --
_g27.
_tDance and gender: formalism and semiotics reconsidered --
_g28.
_tNijinsky: modernism and heterodox representations of masculinity --
_g29.
_tDances of death: Germany before Hitler --
_g30.
_tMark Morris: the body and what it means --
_g31.
_tDance and music video: some preliminary observations --
_g32.
_tTwo analyses of 'Dancing in the Dark' (The Band Wagon, 1953) --
_tBibliography --
_tIndex.
520 _a"The Routledge Dance Studies Reader represents the range and diversity of writings on dance from the 1980s and 1990s, providing contemporary perspectives on ballet, modern dance, postmodern 'movement performance' jazz, South Asian dance and Black dance. In an enlightening introduction, Alexandra Carter traces the development of dance studies internationally and surveys current debates about the methods and methodologies appropriate to the study of dance. Each section begins with an editorial preface, and features contributions by choreographers, performers, critics and scholars of dance and related disciplinary fields. The sections cover choreography, performance, writing criticism, the place of dance in history and society and analysis of specific dance works. An invaluable introduction to the key dance texts, The Routledge Dance Studies Reader is for anyone interested in enhancing their experience of dance."--Publisher description.
588 _aMachine converted from AACR2 source record.
650 0 _aDance
_9316451
650 0 _aModern dance.
_9353498
650 0 _aDance
_xPhilosophy
_9762136
650 0 _aDance
_xSociological aspects
_9328698
700 1 _aCarter, Alexandra,
_eeditor.
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