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008			060213s2005 enk b 001 0 eng d
010			_a 2005017941
011			_aBIB MATCHES WORLDCAT
020			_a0521856582
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035			_a(ATU)b11089702
035			_a(OCoLC)60715264
035			_a(DLC) 2005017941
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041	1		_aeng _hfre
042			_apcc
043			_ae-fr---
050	0	0	_aN6848 _b.S27 2005
082	0	0	_a709.4409041 _222
100	1		_aSalmon, André, _d1881-1969 _9426872
240	1	0	_aJeune peinture française. _lEnglish
245	1	0	_aAndré Salmon on French modern art / _ctranslated and annotated by Beth S. Gersh-Nešić.
264		1	_aCambridge ; _aNew York : _bCambridge University Press, _c2005.
300			_axii, 214 pages ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 185-192) and index.
505	0		_aLa jeune peinture française. Foreword -- The fauves -- Anecdotal history of cubism -- Contemporary art -- A rebirth of French landscape painting -- Twentieth century women painters -- La jeune sculpture française. Foreword -- The fable of the little tin fish -- Doctrine -- Under the gates of hell -- The west -- Figurative sculptors -- Sculptresses -- Humanism -- Cannibalism -- El guitare --
505	0		_aLa jeune peinture française. Foreword -- The fauves -- An anecdotal history of cubism -- Contemporary art -- A rebirth of French landscape painting -- Twentieth-century women painters -- La jeune sculpture française. Foreword -- The fable of the little tin fish -- Doctrine -- Under the gates of hell -- The west -- Figurative sculptors -- Sculptresses -- Humanism -- Cannibalism -- El guitare.
520	1		_a"Andre Salmon was one of the premier art critics of his day and the author of two important eyewitness accounts of early twentieth-century art in France, La jeune peinture francaise and La jeune sculpture francaise. These works capture the revolutionary spirit of the period and include references to and jokes from a small coterie of artists and poets that included Picasso, Guillaume Apollinaire, Max Jacob, Georges Braque, and Salmon himself. This is the first English-language translation of Salmon's first two books, which serve as the primary sources of the Fauves, the Cubists, and their avant-garde contemporaries. Beth Gersh-Nesic's translation includes annotations that expand upon the period, most notably the literary references that came so naturally to Salmon. His rapport with his peers becomes transparent, providing insight into the studio banter that gave rise to some of the artwork of that era, particularly Picasso's collages. The introduction calls attention to Salmon's main criteria as a critic and offers an understanding of his personal aesthetics, through which we gain a better sense of his ideas and prejudices."--BOOK JACKET.
546			_aThe first English translation of Salmon's first two books.
588			_aMachine converted from AACR2 source record.
650		0	_aArt, French _y20th century _9314055
700	1		_aGersh-Nešić, Beth S. _9256482
700	1	2	_aSalmon, André, _d1881-1969 _tJeune sculpture française. _lEnglish.
907			_a.b11089702 _b11-05-18 _c27-10-15
998			_ab _ac _b11-05-18 _cm _da _feng _genk _h0
945			_a709.4409041 SAL _g1 _iA370210B _j0 _lcmain _o- _p$98.64 _q- _r- _s- _t0 _u2 _v0 _w0 _x0 _y.i12390379 _z29-10-15
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999			_c1165438 _d1165438