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008 021223s2002 nyua b 001 0 eng d
010 _a 2002109741
011 _aBIB MATCHES WORLDCAT
020 _a0789306824
020 _a9780789306821
035 _a(ATU)b11085150
035 _a(OCoLC)51491133
040 _aVYF
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_dHEBIS
_dATU
042 _apcc
050 0 0 _aNA737.F69
_bG45 2002
082 0 4 _a720.92
245 0 0 _aGehry talks :
_barchitecture + process /
_cGehry Partners ; Mildred Friedman, editor ; with an essay by Michael Sorkin and commentaries by Frank O. Gehry.
246 3 _aArchitecture and process
246 3 0 _aArchitecture + process
250 _aRevised edition.
264 1 _aNew York :
_bUniverse Pub.,
_c[2002]
264 2 _aNew York :
_bDistributed to the U.S. trade by St. Martin's Press
264 4 _c©2002
300 _a239 pages :
_billustrations (some colour) ;
_c21 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
500 _a"Revised edition of Gehry talks: architecture + process, first published in 1999 in the United States of America by Rizzoli International ..."--T.p. verso.
504 _aIncludes bibliographical references (page 234) and index.
505 0 0 _tThe reluctant master /
_rMildred Friedman --
_tFrozen light /
_rMichael Sorkin --
_tCommentaries /
_rby Frank Gehry.
_tThen and now ;
_tMaterials and methods ;
_tSculpture and architecture ;
_tThe new office ;
_tProject designers ;
_tWomen in the office ;
_tContractors and architectural practice ;
_tClients ;
_tChanging our house.
520 1 _a"Gehry Talks: Architecture + Process documents all of his new work of this decade, tracing his evolution from a southern California architect known for his idiosyncratic use of materials and collaboration with local artists, to an international figure whose fluid, hitherto undreamt-of forms surge beyond the aesthetic and technical constraints of the twentieth century. From the titanium-wrapped curves of the Guggenheim Bilbao to the binocular facade of the Chiat-Day Headquarters in California, his innovative structural ideas evoke a sense of freedom and spontaneity while, at the same time, displaying the utmost control. Unbound by guidelines of symmetry or the grid's delineation, his structures spring forth, engaged in a seemingly limitless play of ideas - ever-changing in both the multitudinous combinations of shapes suggested by the form and the depth of the conceptual associations implied by the design. Fish and snake motifs birl upon his buildings' rippling surfaces, while light follows the asymmetrical trajectories of their metallic folds. Though controversial and daring, his works always possess an elegance that lends warmth and humane scope to each project, regardless of the level of innovation - as evinced in contexts as varying as the complicated, and unrealized, plan of the Lewis House in Lyndhurst, Ohio, or the clarity of the idea behind the Ustra office building in Hannover, Germany." "This illustrated presentation features twenty-four projects, including the Chiat-Day Headquarters in Venice, California; the Team Disneyland Administration Building in Anaheim, California; the Vitra Furniture Museum and Factory in Weil am Rhein, Germany; and the Guggenheim Museum in Bilbao, Spain. The book features insightful essays by editor Mildred Friedman and architecture critic Michael Sorkin, as well as photographs of buildings that have been completed since the publication of the original volume."--BOOK JACKET.
588 _aMachine converted from AACR2 source record.
610 2 0 _aFrank O. Gehry and Associates
_9335779
650 0 _aArchitectural practice, International
_9313897
650 0 _aArchitecture, Postmodern
_9313942
650 0 _aArchitecture
_vDesigns and plans
_9346274
700 1 _aFriedman, Mildred S.
_9231633
700 1 _aSorkin, Michael,
_d1948-2020
_9974871
700 1 _aGehry, Frank O.,
_d1929-
_9329782
710 2 _aFrank O. Gehry and Associates
_9335779
856 4 2 _3Contributor biographical information
_uhttp://catdir.loc.gov/catdir/enhancements/fy0713/2002109741-b.html
907 _a.b11085150
_b10-06-19
_c27-10-15
942 _cB
945 _a720.92 GEH
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