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_aBF697.5.B63 _bC67 2004 |
082 | 0 | 0 |
_a306.4613 _222 |
100 | 1 |
_aCovino, Deborah Caslav, _d1960- _eauthor. _9425965 |
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245 | 1 | 0 |
_aAmending the abject body : _baesthetic makeovers in medicine and culture / _cDeborah Caslav Covino. |
264 | 1 |
_aNew York : _bState University of New York Press, _c[2004] |
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264 | 4 | _c©2004 | |
300 |
_aix, 152 pages ; _c23 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 | _aSUNY series in feminist criticism and theory | |
504 | _aIncludes bibliographical references (pages 137-148) and index. | ||
505 | 0 | 0 |
_gCh. 1. _tAbjection -- _gCh. 2. _tNormalizing the body -- _gCh. 3. _tOutside-in -- _gCh. 4. _t"I'm doing it for me" -- _gCh. 5. _tMaking over abjection. |
520 | 1 | _a"Feminist theorists have often argued that aesthetic surgeries and body makeovers dehumanize and disempower women patients, whose efforts at self-improvement lead to their objectification. Amending the Abject Body proposes that although objectification is an important element in this phenomenon, the explosive growth of "makeover culture" can be understood as a process of both abjection (ridding ourselves of the unwanted) and identification (joining the community of what Julia Kristeva calls "clean and proper bodies"). Drawing from the advertisement and advocacy of body makeovers on television, in aesthetic surgery trade books, and in the print and Web-based marketing of face lifts, tummy tucks, and Botox injections, Deborah Caslav Covino articulates the relationship among objectification, abjection, and identification, and offers a fuller understanding of contemporary beauty-desire."--BOOK JACKET. | |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aBody image in women _9328724 |
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650 | 0 |
_aSelf-perception in women _9328037 |
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650 | 0 |
_aWomen _xPhysiology _9370857 |
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650 | 0 |
_aHuman body _xSocial aspects _9371115 |
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650 | 0 |
_aSurgery, Plastic. _9324693 |
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650 | 0 |
_aFeminist theory. _9327380 |
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830 | 0 |
_aSUNY series in feminist criticism and theory. _9265232 |
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