000			10841cam a22003498a 4500
005			20211104234314.0
008			050124s2004 enk be 001 0 eng
010			_a 2004051269
011			_aBIB MATCHES WORLDCAT
020			_a0415282594 (alk. paper)
035			_a(ATU)b11067494
035			_a(DLC) 2004051269
035			_a(OCoLC)56367329
040			_aDLC
042			_apcc
050	0	0	_aPN212 _b.R68 2004
082	0	0	_a808.003 _222
245	0	0	_aRoutledge encyclopedia of narrative theory / _cedited by David Herman, Manfred Jahn and Marie-Laure Ryan.
264		1	_aLondon ; _aNew York : _bRoutledge, _c2004.
300			_axxix, 718 p. : _c25 cm.
504			_aIncludes bibliographical references and index.
505	0	0	_tActant -- _tAction theory -- _tAdaptation -- _tAddress -- _tAddresser and addressee -- _tAdolescent narrative -- _tAdvertisements -- _tAfrican narrative -- _tAgency -- _tAllegory -- _tAlteration -- _tAlterity -- _tAnachrony -- _tAnalepsis -- _tAncient theories of narrative (Western) -- _tAncient theories of narrative (non-Western) -- _tAnecdote -- _tAnimated film -- _tAnnals -- _tAnti-narrative -- _tApology -- _tArchetypal patterns -- _tArchitext -- _tArtificial Intelligence and narrative -- _tAtomic and molecular narratives -- _tAttributive discourse -- _tAudience -- _tAustralian Aboriginal narrative -- _tAuthentication -- _tAuthor -- _tAuthorial narrative situation -- _tAutobiography -- _tAutodiegetic narration -- _tAutofiction -- _tBackstory -- _tBallad -- _tBiblical narrative -- _tBildungsroman -- _tBiography -- _tBiological foundations of narrative -- _tBlog (weblog) -- _tCatachresis -- _tCatharsis -- _tCausality -- _tCharacter -- _tChicago school -- _tChildren's stories (narratives written for children) -- _tChildren's storytelling -- _tChinese narrative -- _tChronicle -- _tChronotope -- _tCineroman -- _tClosure -- _tCodes for reading -- _tCognitive narratology -- _tCoincidence -- _tComics and graphic novel -- _tComing-out story -- _tCommentary -- _tCommunication in narrative -- _tCommunication studies and narrative -- _tComposite novel -- _tComputational approaches to narrative -- _tComputer games and narrative -- _tConcretisation -- _tConfessional narrative -- _tConflict -- _tConstance school -- _tContextualism (in historiography) -- _tConversational storytelling -- _tCounterfactual history -- _tCourtroom narrative -- _tCultural-studies approaches to narrative -- _tCyberpunk fiction -- _tDance and narrative -- _tDeconstructive approaches to narrative -- _tDefamiliarisation -- _tDeixis -- _tDenarration -- _tDescription -- _tDesire -- _tDetective fiction -- _tDialogism -- _tDialogue in the novel -- _tDiary -- _tDidactic narrative -- _tDiegesis -- _tDigital narrative -- _tDiscourse analysis (Foucault) -- _tDiscourse analysis (linguistics) -- _tDisnarrated, the -- _tDistance -- _tDrama and narrative -- _tDramatic irony -- _tDramatic monologue -- _tDramatic situations -- _tDream narrative -- _tDual-voice hypothesis -- _tDystopian fiction -- _tEco-narratives -- _tEcriture feminine -- _tEducation and narrative -- _tEkphrasis -- _tEmbedding -- _tEmic and etic -- _tEmotion and narrative -- _tEmplotment -- _tEncyclopedic novel -- _tEpic -- _tEpiphany -- _tEpisode -- _tEpistolary novel -- _tErgodic literature -- _tEthical turn -- _tEthnographic approaches to narrative -- _tEvents and event-types -- _tEvolution of narrative forms -- _tExistent -- _tExperiencing-I -- _tExperientiality -- _tExposition -- _tExtradiegetic narrator -- _tFable -- _tFabula -- _tFairy tale -- _tFamily chronicle -- _tFantastic, the -- _tFantasy -- _tFeminist narratology -- _tFiction, theories of -- _tFigura (Auerbach) -- _tFigural narration -- _tFilm narrative -- _tFirst-person narration -- _tFocalization -- _tFolklore -- _tFolktale -- _tForegrounding -- _tFormalism -- _tFrame theory -- _tFramed narrative -- _tFree indirect discourse -- _tFrequency -- _tFreytag's triangle -- _tFunction (Jakobson) -- _tFunction (Propp) -- _tGapping -- _tGaze -- _tGender studies -- _tGenealogy -- _tGenre fiction -- _tGenre theory in film studies -- _tGenre theory in narrative studies -- _tGesture -- _tGossip -- _tGothic novel -- _tGrand recit -- _tGraphic presentation as expressive device -- _tHagiography -- _tHermeneutics -- _tHero -- _tHeterodiegetic narration -- _tHeteroglossia -- _tHistorical novel -- _tHistorical present -- _tHistoricis -- _tHistoriographic metafiction -- _tHistoriographic narratology -- _tHistoriography -- _tHolocaust narrative -- _tHomodiegetic narration -- _tHorizon of expectations -- _tHorror narrative -- _tHumour studies and narrative -- _tHybrid genres -- _tHybridity -- _tHypertext -- _tHypertext and hypotext (Genette) -- _tHypodiegetic narrative -- _tIdentity and narrative -- _tIdeology and narrative -- _tImage and narrative -- _tImmersion -- _tImplied author -- _tImplied reader -- _tIn medias res -- _tIndeterminacy -- _tInstitutional narrative -- _tIntentionality -- _tInteractive fiction -- _tInteractivity -- _tInterdisciplinary approaches to narrative -- _tInterior monologue -- _tIntermediality -- _tIntertextuality -- _tIntradiegetic narrator -- _tIrony -- _tIsotopy -- _tJapanese narrative -- _tJoke -- _tJournalism -- _tLaw and narrative -- _tLegal fiction -- _tLegend -- _tLeitmotif -- _tLetters as narrative -- _tLife story -- _tLinguistic approaches to narrative -- _tLogic of narrative -- _tMagical realism -- _tMarxist approaches to narrative -- _tMaster narrative -- _tMedia and narrative -- _tMediacy -- _tMedicine and narrative -- _tMedieval narrative -- _tMemory -- _tMental mapping of narrative -- _tMetafiction -- _tMetahistory -- _tMetalepsis -- _tMetanarrative comment -- _tMetaphor -- _tMetonymy -- _tMicro-storie -- _tMimesis -- _tMindscreen -- _tMind-style -- _tMinimal narrative -- _tMise en abyme -- _tModality -- _tMode -- _tModernist narrative -- _tMolecular narratives -- _tMontage -- _tMood (Genette) -- _tMotif -- _tMulti-path narrative -- _tMulti-plot narrative -- _tMusic and narrative -- _tMyth: thematic approaches -- _tMyth: theoretical approaches -- _tMytheme --
505	0	0	_tNaming in narrative -- _tNarratee -- _tNarrating (Genette) -- _tNarrating-I -- _tNarration -- _tNarrative -- _tNarrative as argument -- _tNarrative as cognitive instrument -- _tNarrative comprehension -- _tNarrative disorders -- _tNarrative dynamics -- _tNarrative explanation -- _tNarrative in poetry -- _tNarrative intelligence -- _tNarrative levels -- _tNarrative progression -- _tNarrative psychology -- _tNarrative semantics -- _tNarrative situations -- _tNarrative speed -- _tNarrative structure -- _tNarrative techniques -- _tNarrative therapy -- _tNarrative transformation -- _tNarrative transmission -- _tNarrative turn in the humanities -- _tNarrative units -- _tNarrative universals -- _tNarrative versions -- _tNarrative, games, and play -- _tNarrativisation -- _tNarrativity -- _tNarrator -- _tNative American narrative -- _tNatural narratology -- _tNaturalisation -- _tNeo-Aristotelianism -- _tNo-narrator theory -- _tNonfiction novel -- _tNouveau roman -- _tNovel, the -- _tNovella -- _tNursery rhyme -- _tObituary -- _tOpera -- _tOral cultures and narrative -- _tOral history -- _tOral-formulaic theory -- _tOrality -- _tOrganisations and narrative -- _tOulipo -- _tPalimpsest -- _tPanfictionality -- _tParable -- _tParalepsis and paralipsis -- _tParatext -- _tParody -- _tParticipatory narrative -- _tPastiche -- _tPerformance -- _tPerformativity -- _tPerson -- _tPerspective -- _tPhenomenology of narrative -- _tPhilosophy and narrative -- _tPhilosophical novel -- _tPhotographs -- _tPicaresque novel -- _tPictorial narrativity -- _tPlot -- _tPlot types -- _tPoint -- _tPoint of attack -- _tPoint of view (cinematic) -- _tPoint of view (literary) -- _tPolyphony -- _tPornographic narrative -- _tPositioning -- _tPossible-worlds theory -- _tPostclassical narratology -- _tPost-colonialism and narrative -- _tPostmodern narrative -- _tPostmodern rewrites -- _tPoststructuralist approaches to narrative -- _tPragmatics -- _tPrison narrative -- _tProlepsis -- _tProspective narration -- _tPsychoanalysis and narrative -- _tPsychological approaches to narrative -- _tPsychological novel -- _tPsychonarration -- _tQueer theory -- _tQuixotic novel -- _tQuotation theory -- _tRadio narrative -- _tReader address -- _tReader constructs -- _tReaderly text, writerly text (Barthes) -- _tReader-response theory -- _tRealeme -- _tRealism, theories of -- _tRealist novel -- _tReality effect -- _tReception theory -- _tReference -- _tReflector -- _tReflexivity -- _tReliability -- _tRemediation -- _tRepurposing -- _tRetardatory devices -- _tRetrospective narration -- _tRhetorical approaches to narrative -- _tRiddle -- _tRing-composition -- _tRoman a clef -- _tRoman a these -- _tRomance -- _tRomance novel -- _tRussian Formalism -- _tSanskrit narrative -- _tSatiric narrative -- _tScene (cinematic) -- _tSchemata -- _tScience and narrative -- _tScience fiction -- _tScreenplay -- _tScripts and schemata -- _tSecondary orality -- _tSecond-person narration -- _tSemiotics -- _tSerial form -- _tSermon -- _tShort story -- _tShot -- _tShowing versus telling -- _tSimple forms -- _tSimulation and narrative -- _tSimultaneous narration -- _tSituation model -- _tSjuzhet -- _tSkaz -- _tSlash fiction -- _tSlave narrative -- _tSoap opera -- _tSociolinguistic approaches to narrative -- _tSociological approaches to literary narrative -- _tSociology and narrative -- _tSoundtrack -- _tSpace in narrative -- _tSpatial form -- _tSpectacle -- _tSpeech act theory -- _tSpeech representation -- _tSports broadcast -- _tStory arc -- _tStory grammars -- _tStory schemata and causal structure -- _tStory-discourse distinction -- _tStoryworld -- _tStream of consciousness and interior monologue -- _tStructuralist narratology -- _tSummary and scene -- _tSurfiction -- _tSurrealist narrative -- _tSuspense and surprise -- _tSyllepsis -- _tTabloid narrative -- _tTall tale -- _tTel Aviv School of narrative poetics -- _tTel Quel -- _tTelevision -- _tTellability -- _tTemporal ordering -- _tTense and narrative -- _tTestimonio -- _tText -- _tText-world approach to narrative -- _tThematic approaches to narrative -- _tThematisation -- _tTheology and narrative -- _tThird-person narration -- _tThought and consciousness representation (film) -- _tThought and consciousness representation (literature) -- _tThriller -- _tTime in narrative -- _tTransfictionality -- _tTransfocalization and transvocalization -- _tTransgressive fictions -- _tTrauma theory -- _tTravel narrative -- _tTrebling /triplication -- _tTruth -- _tUnnarratable, the -- _tUnreliable narration -- _tUrban legend -- _tUtopian and dystopian fiction -- _tVerisimilitude -- _tVirtuality -- _tVisual narrativity visualisation -- _tVoice -- _tVoice-over narration -- _tWriterly text.
650		0	_aNarration (Rhetoric) _vEncyclopedias _9724129
700	1		_aHerman, David, _d1962- _9425784
700	1		_aJahn, Manfred, _d1943- _9425786
700	1		_aRyan, Marie-Laure, _d1946- _9227315
907			_a.b11067494 _b22-08-17 _c27-10-15
998			_a(2)b _a(2)c _b06-04-16 _cm _da _feng _genk _h0
945			_a808.003 ROU _g1 _iA294415B _j0 _lcmain _o- _p$300.05 _q- _r- _s- _t0 _u10 _v19 _w2 _x7 _y.i12341356 _z29-10-15
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