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005 | 20221109170023.0 | ||
008 | 050725s2005 fr a b 001 0beng d | ||
010 | _a 2005278325 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a2080304836 _qhbk. |
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020 |
_a9782080304834 _qhbk. |
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035 | _a(ATU)b11040993 | ||
035 | _a(OCoLC)57751501 | ||
040 |
_aDLC _beng _erda _cDLC _dUKM _dBAKER _dORU _dIAY _dVRC _dTTU _dBTCTA _dYDXCP _dIG# _dBDX _dPSM _dOCLCO _dP4I _dOCLCF _dATU |
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050 | 0 | 0 |
_aN6537.T96 _bL44 2005 |
082 | 0 | 4 |
_a700.92 _223 |
100 | 1 |
_aLeeman, Richard, _eauthor. _91055172 |
|
240 | 1 | 0 |
_aCy Twombly. _lEnglish |
245 | 1 | 0 |
_aCy Twombly : _ba monograph / _cRichard Leeman ; picture research, Isabelle d'Hauteville ; [translated from the French by Mary Whittall]. |
250 | _aEnglish-language edition. | ||
264 | 1 |
_aParis : _bFlammarion, _c[2005] |
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264 | 2 |
_aLondon : _bThames & Hudson |
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264 | 4 | _c©2005 | |
300 |
_a323 pages : _billustrations (some colour) ; _c32 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aOriginally published: Paris : Éditions du Regard, 2004. | ||
504 | _aIncludes bibliographical references (pages 307-313) and index. | ||
505 | 0 | _aI. Primitive, ritual, fetish -- II. Scribbles -- III. Destroying painting -- IV. A mythography of longing -- V. Words in painting -- VI. Romantic symbolism -- VII. Baroque profusion -- VIII. Numbers -- IX. A theory of whirlwinds -- X. Neurosis and the humanist -- XI. The fig, the lotus, the whirling dervish -- XII. Metamorphoses -- XIII. Melancholy -- XIV. The insistence of letters. | |
520 | 1 | _a"Cy Twombly (b. 1928), one of America's greatest living artists, defies easy categorization. Subverting traditional distinctions between painting and drawing, brush and pencil work, written words and images, he has made a highly individual contribution to the history of twentieth-century art. In his canvases, turfs, swirls, twig bundles, ideograms and ornamental motifs confront one another in implied narrative; biomorphic entities resembling orifices, polyps, fringes or erupting effluvia conjure a protean sexuality; delicate cross-hatchings and tracery interacting with graffiti or detached letters and words evoke multiple associations." "This monograph interprets Twombly's huge and complex body of work through a close study of his oeuvre, following both a thematic and chronological progression from the late 1950s to his most recent work."--BOOK JACKET. | |
546 | _aTranslated from the French by Mary Whittall. | ||
600 | 1 | 0 |
_aTwombly, Cy, _d1928-2011 _xCriticism and interpretation. |
700 | 1 |
_aTwombly, Cy, _d1928-2011 _9228196 |
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700 | 1 |
_aHauteville, Isabelle d'. _9245891 |
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856 | 4 | 2 |
_3Contributor biographical information _uhttp://catdir.loc.gov/catdir/enhancements/fy0626/2005278325-b.html |
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