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_aB4231 _b.C57 2004 |
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_a197 _222 |
| 100 | 1 |
_aClowes, Edith W., _eauthor. _91053988 |
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| 245 | 1 | 0 |
_aFiction's overcoat : _bRussian literary culture and the question of philosophy / _cEdith W. Clowes. |
| 264 | 1 |
_aIthaca : _bCornell University Press, _c[2004] |
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| 264 | 4 | _c©2004 | |
| 300 |
_axvii, 296 pages : _billustrations ; _c24 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_gPt. 1. _tThe displacement of philosophy (1820s-1860s) -- _g1. _tThe possibility of a Russian philosophy : language and reader in a new philosophical culture (1820s-1830s) -- _g2. _tCompeting discourses : philosophy marginalized -- _g3. _tThe parting of the ways : Chernyshevsky, Dostoevsky, and the seeds of Russian philosophical discourse -- _gPt. 2. _tThe birth of Russian philosophy (1870s-1920s) -- _g4. _tPhilosophical language between revelation and reason : Solovyov's search for total unity -- _g5. _tPhilosophy as tragedy : Shestov and his Russian audience -- _g6. _tPhilosophy in the breach : Rozanov's philosophical Roguery and the destruction of civil discourse -- _g7. _tPhilosophy as epic drama : Berdiaev's philosophy of the creative act -- _gPt. 3. _tThe survival of Russian philosophical culture (1920s-1950s) -- _g8. _tImage and concept : Losev's "great synthesis of higher knowledge" and the tragedy of philosophy -- _g9. _tThe matter of philosophy : dialectical materialism and Platonov's quest after questioning -- _g10. _t"Sheer philosophy" and "vegetative thinking" : Pasternak's suspension and preservation of philosophy -- _gApp. _tThe generations and networks of Russian philosophy. |
| 520 | 1 | _a"In Fiction's Overcoat, Edith W. Clowes responds to the view, commonly held by Western European and North American thinkers, that Russian culture has no philosophical tradition. If that is true, she asks, why do readers everywhere turn to the classics of Russian literature, at least in part because Russian writers so famously engage universal questions, because they are so "philosophical"? Her answer to this question is a lively and comprehensive volume that details the origins, submergence, and re-emergence of a rich and vital Russian philosophical tradition." "During the late nineteenth and early twentieth centuries, Russian philosophy emerged in conversation with narrative fiction, radical journalism, and speculative theology, developing a distinct cultural discourse with its own claim to authority and truth. Leading Russian thinkers - Berdiaev, Losev, Rozanov, Shestov, and Solovyov - made philosophy the primary forum in which Russians debated metaphysical, aesthetic, and ethical questions as well as issues of individual and national identity. That debate was tragically truncated by the events of 1917 and the rise of the Soviet empire. Today, after seventy years of enforced silence, this particularly Russian philosophical culture has resurfaced. Fiction's Overcoat serves as a welcome guide to its complexities and nuances." "Historians and cultural critics will find in Clowes's book the story of the increasing refinement and diversification of Russian cultural discourse, philosophers will find an alternative to the Western philosophical tradition, and students of literature will enjoy the opportunity to rethink the great Russian novelists - particularly Dostoevsky. Pasternak, and Platonov - as important voices in the process of shaping and sustaining a new philosophy and ensuring its survival into our own age."--BOOK JACKET. | |
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_aPhilosophy, Russian _y19th century _9769903 |
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