000			03427cam a2200493 i 4500
005			20211104141512.0
008			041029s2005 nyua b 000 0beng d
010			_a 2004025603
011			_aBIB MATCHES WORLDCAT
020			_a1568985037 _qalk. paper
020			_a9781568985039 _qalk. paper
035			_a(ATU)b10997544
035			_a(OCoLC)56894540
040			_aDLC _beng _erda _cDLC _dIXA _dBAKER _dNLGGC _dUKM _dBTCTA _dLVB _dYDXCP _dSTF _dOCLCQ _dATU
042			_apcc
043			_ae-gx---
050	0	0	_aNA7593.K74 _bL54 2005
082	0	0	_a728.8092 _222
100	1		_aKleinman, Kent, _d1956- _eauthor. _9389104
245	1	0	_aMies van der Rohe : _bthe Krefeld villas / _cKent Kleinman and Leslie Van Duzer.
264		1	_aNew York : _bPrinceton Architectural Press, _c[2005]
264		4	_c©2005
300			_a143 pages : _billustrations (some colour) ; _c26 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 128-135).
505	0	0	_tIntroduction : notes on almost nothing -- _tKlein's kleine Kammer -- _tLeWitt and the art of instructions -- _tSerra and the anti-environment -- _tWindows and other weaknesses -- _tConclusion : architecture, acting.
520			_a"With all of the attention Mies van der Rohe has received over the last few years, it's hard to believe that there could be a pair of "undiscovered" buildings begging for even the slightest consideration and receiving none. Such has been the fate, however, of Mies's Krefeld Villas, a pair of neighboring brick residences of typically restrained elegance built from 1927 to 1930. Their anonymity is, to some degree, Mies's own doing; in 1959, in his only public comment about the projects, he quipped that he would have preferred to use more glass, but the clients objected. "I had great trouble," he said. As historians Kent Kleinman and Leslie van Duzer show in this carefully researched, eminently readable study, sometimes it's best not to take the architect at his word. Here they guide us through the two villas, which were converted into a joined museum of contemporary art after World War II. Each chapter begins with a study of an artist who has created a site-specific installation within the villas. By analyzing how Yves Klein, Sol LeWitt, Richard Serra, and Ernst Caramelle chose to engage Mies's architecture, they arrive at a truly original understanding of these two forgotten masterworks."--Publisher description.
588			_aMachine converted from AACR2 source record.
600	1	0	_aMies van der Rohe, Ludwig, _d1886-1969 _xCriticism and interpretation.
610	2	0	_aMuseum Haus Lange Krefeld _9339943
610	2	0	_aMuseum Haus Esters _9339944
650		0	_aArchitecture, Domestic _zGermany _zKrefeld _9660946
650		0	_aArchitecture _zGermany _zKrefeld _xHistory _y20th century.
651		0	_aKrefeld (Germany) _xBuildings, structures, etc.
700	1		_aVan Duzer, Leslie, _d1958- _9239701
700	1		_aMies van der Rohe, Ludwig, _d1886-1969 _9311940
856	4	2	_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy0738/2004025603-b.html
907			_a.b10997544 _b10-06-19 _c27-10-15
998			_a(2)b _a(2)c _b06-04-16 _cm _da _feng _gnyu _h0
945			_a728.8092 KLE _g1 _iA276643B _j0 _lcmain _o- _p$42.93 _q- _r- _s- _t0 _u2 _v0 _w0 _x1 _y.i12971297 _z29-10-15
942			_cB
999			_c1158610 _d1158610