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_aNC228 _b.B47 2000 |
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_a306.47 _221 |
100 | 1 |
_aBermingham, Ann, _eauthor. _9262114 |
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245 | 1 | 0 |
_aLearning to draw : _bstudies in the cultural history of a polite and useful art / _cAnn Bermingham. |
264 | 1 |
_aNew Haven, CT : _bPublished for the Paul Mellon Centre for Studies in British Art by Yale University Press, _c[2000] |
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264 | 4 | _c©2000 | |
300 |
_axv, 304 pages : _billustrations (some colour) ; _c28 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references (pages 247-293) and index. | ||
505 | 0 | 0 |
_tPreface -- _gPt. 1. _tThe Preliminary Foundations of a Polite and Useful Art -- _g1. _tDrawing and the Courtly Art of Illusion -- _g2. _tComplete Gentlemen -- _gPt. 2. _tThe Popularization of a Polite and Useful Art -- _g3. _tDrawing the Social and Political Landscape -- _g4. _t"Articles Fanciful, Useful, and Neat" - The Business of Amateur Art -- _g5. _tAccomplished Women -- _g6. _tDrawing in the Age of Mechanical Reproduction -- _tNotes -- _tSelect Bibliography -- _tPhotograph Credits -- _tIndex. |
520 | 1 | _a"This book explores the social and cultural processes that enabled drawing to emerge as an amateur pastime, as well as the meanings that drawing had for people who were not artists. Ann Bermingham shows how the history of drawing in England - from the age of Elizabeth I to the era of early photography - mirrored changes in society, politics, the practical world, and notions of self." "This book examines how drawing intersected with a wide range of social phenomena, from political absolutism, writing, empirical science, and Enlightenment pedagogy to nationalism, industrialism, tourism, bourgeois gentility, and religious instruction."--BOOK JACKET. | |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aArt, Amateur _zEngland _xHistory _9687662 |
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