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008 | 040719s2003 ctua b 000 0deng d | ||
010 | _a 2003015186 | ||
011 | _aBIB MATCHES WORLDCAT | ||
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_a0819566136 _qcloth (alk. paper) |
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035 | _a(DLC) 2003015186 | ||
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_aGV1600 _b.K56 2003 |
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_a792.809 _222 |
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_aKing, Kenneth, _d1948- _eauthor. _9334965 |
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245 | 1 | 0 |
_aWriting in motion : _bbody--language--technology / _cKenneth King ; with a foreword by Deborah Jowitt. |
264 | 1 |
_aMiddletown, Conn. : _bWesleyan University Press, _c[2003] |
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264 | 4 | _c©2003 | |
300 |
_axxi, 198 pages : _billustrations ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references (pages 193-198). | ||
505 | 0 | 0 |
_tForeword / _rDeborah Jowitt -- _tTransmedia -- _tDigital Body/Millennial Wor(l)d -- _tThrough Me Many Voices -- _tWord Raid (Impossible Tongue Twisters for E. E. Cummings) -- _tFrom Out of the Field of Vision (Or Finally: The Internet) -- _tThe Telaxic Synapsulator (The Future of Machine) -- _tStravinsky's Oedipus Rex: Julie Taymor - Seiji Ozawa - Jessye Norman -- _tWriting Over History and Time: Maurice Blanchot and Jackie O. -- _tDreams and Collage -- _tSight and Cipher -- _tA Pipe of Fancy (Vision's Plenitude): Joseph Cornell, An Appreciation -- _tAutobiopathy -- _tThe Body Reflexive -- _tMetagexis (Joseph's Song) -- _tAppeal to the Unknown Prayer to the Great Void (Mappings for a Metatheology). |
520 | 1 | _a"Kenneth King is one of America's most inventive postmodern choreographers. His dancing has always reflected his interest in language and technology, combining movement with film, machines, lighting and words both spoken and written. King is also conversant in philosophy, and some of his most influential dances have been dedicated to and in dialogue with the work of such philosophers as Susanne K. Langer, Edmund Husserl and Friedrich Nietzsche. Since the 1960s, he has performed his dance to texts both spoken and prerecorded - texts intended to stand separately as literary works." "Writing in Motion spans more than thirty years and is collected here for the first time. It includes essays, performance scripts of King's own work, art criticism, philosophy and cultural commentary. Dense with movement, these writings explode and reconfigure the familiar, crack syntax open, and invent startling new words. Dancing, to King, is "writing in space," and writing is a dance of ideas. Whether referencing Aristotle, Langer, Simone de Beauvoir, MTV, Maurice Blanchot or Marshall McLuhan, King's delightfully lavish prose is very much "in motion.""--BOOK JACKET. | |
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_aDance criticism _9316444 |
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