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008			040419s2004 enka bc 000 0 eng d
010			_a 2004463233
011			_aBIB MATCHES WORLDCAT
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035			_a(ATU)b10957649
035			_a(DLC) 2004463233
035			_a(OCoLC)55021638
040			_aDLC _beng _erda _dFMlbTMQ _dATU
050	0	0	_aN6768.5.V6 _bB57 2004
082	0	4	_a709.4209041 _222
100	1		_aBlack, Jonathan, _d1969- _eauthor. _9420162
245	1	0	_aBlasting the future! : _bvorticism in Britain 1910-1920 / _cJonathan Black [and others].
264		1	_aLondon : _bPhilip Wilson, _c2004.
264		2	_aNew York : _bDistributed in North America by Palgrave Macmillan
300			_a110 pages : _billustrations (chiefly colour) ; _c27 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aPublished on the occasion of the exhibition Blasting the Future! Vorticism in Britain 1910-1920 held at the Estorick Collection of Modern Italian Art, London, 4 Feb.-18 Apr. 2004 and the Whitworth Art Gallery, Manchester, 7 May-25 July 2004.
504			_aIncludes bibliographical references.
505	0	0	_tForewords / _rRoberta Cremoncini and Alistair Smith -- _tFuturism and the British Avant-Garde / _rChristopher Adams -- _t'The Eminent English Futurist': C. R. W. Nevinson and English Futurism in Peace and War / _rMichael J. K. Walsh -- _tTaking Heaven by Violence: Futurism and Vorticism as seen by the British Press c.1912-20 / _rJonathan Black -- _tOrnaments, Talismans and Toys: The Hand-held Sculptures of Henri Gaudier-Brzeska / _rJonathan Wood -- _tPlates -- _tChronology / _rJonathan Black -- _tExcerpts from Key Texts / _rJonathan Black.
520			_aThe time is ripe for a fundamental reassessment of the impact that Futurism had on British culture and of Vorticism - the specifically British avant-garde movement inspired by the founder of the Italian Futurist movement, Filippo Tommasao Marinetti. This text, which accompanies an exhibition at the Estorick Collection of Modern Italian Art, combines novel material and original research to provide a coherent overview of Futurism and Vorticism, before, during and after World War I. The exhibition is the first major showing by the movement since 1974 and the text illustrates works in a wide range of media by England's only Futurist, C.R.W. Nevinson, and by the core of artists associated with Vorticism: Wyndham Lewis; Edward Wadsworth; Frederick Etchells; William Roberts; Henri Gaudier-Brzeska; Jacob Epstein; and Jacob Kramer. The influence exerted on these artists by the Italian Futurists Umberto Boccioni, Giacomo Balla, Gino Severini and the mercurial impresario of Futurism, Marinetti, is explored fully. The works illustrated are from a range of prominent public and private collections, a number having never previously been exhibited.
588			_aMachine converted from AACR2 source record.
650		0	_aFuturism (Art) _zItaly _xInfluence _vExhibitions.
650		0	_aVorticism _zGreat Britain _vExhibitions _9654263
710	2		_aEstorick Collection. _9244074
710	2		_aWhitworth Art Gallery. _9250162
856	4	2	_3Contributor biographical information _uhttp://www.loc.gov/catdir/bios/hol056/2004463233.html
907			_a.b10957649 _b27-07-21 _c27-10-15
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