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| 005 | 20221101192649.0 | ||
| 008 | 041208s2004 enka f b 000 0ceng d | ||
| 010 | _a 2006297196 | ||
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_aND237.C388 _bR45 2004 |
| 050 | 1 | 4 |
_aN6537.C4 _bA4 2004 |
| 082 | 0 | 4 |
_a759.13 _222 |
| 100 | 1 |
_aRelyea, Lane, _d1960- _eauthor. _9420120 |
|
| 245 | 1 | 0 |
_aVija Celmins / _cLane Relyea, Robert Gober, Briony Fer. |
| 264 | 1 |
_aLondon ; _aNew York : _bPhaidon, _c2004. |
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| 300 |
_a160 pages : _billustrations (some colour) ; _c29 cm. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 1 | _a[Contemporary artists] | |
| 500 | _aSeries from jacket. | ||
| 504 | _aIncludes bibliographical references (page 159). | ||
| 505 | 2 | _aInterview: Robert Gober in conversation with Vija Celmins | |
| 520 | 1 | _a"Vija Celmin's artworks testify to her undying fascination with the world around her, whether the commonplace objects in her studio; her childhood memories of wartorn Latvia; the natural landscapes of her adopted California; or the pebbles beneath her feet. Primarily a painter of still-life and landscape, Celmins is associated with 1960s Pop art, and often uses photographs as source material to create her signature 'impossible images', such as just-fired revolvers or exploding airplanes. Temporarily abandoning painting in the 1970s, Celmins turned her attention to drawing exquisite graphite seascapes and other vast natural landscapes."--BOOK JACKET. | |
| 530 | _aAlso issued online. | ||
| 588 | _aMachine converted from AACR2 source record. | ||
| 600 | 1 | 0 |
_aCelmins, Vija, _d1938- _xCriticism and interpretation. |
| 700 | 1 |
_aCelmins, Vija, _d1939- |
|
| 700 | 1 |
_aGober, Robert, _d1954- _eauthor. _9405161 |
|
| 700 | 1 |
_aFer, Briony, _eauthor. _91051843 |
|
| 830 | 0 |
_aContemporary artists. _91031709 |
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