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010			_a 2004011383
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020			_a0520243803 _qpbk. (alk. paper)
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035			_a(ATU)b10919922
035			_a(DLC) 2004011383
035			_a(OCoLC)55147214
040			_aDLC _beng _erda _dATU
042			_apcc
050	0	0	_aML3790 _b.K277 2004
082	0	0	_a781.49 _222
100	1		_aKatz, Mark, _d1970- _eauthor. _9418040
245	1	0	_aCapturing sound : _bhow technology has changed music / _cMark Katz.
264		1	_aBerkeley : _bUniversity of California Press, _c[2004]
264		4	_c©2004
300			_axiii, 276 pages : _billustrations ; _c24 cm + _e1 audio disc (12 cm)
336			_atext _btxt _2rdacontent
336			_aspoken word _bspw _2rdacontent _3Accompanying material
337			_aunmediated _bn _2rdamedia
337			_aaudio _bs _2rdamedia _3Accompanying material
338			_avolume _bnc _2rdacarrier
338			_aaudio disc _bsd _2rdacarrier _3Accompanying material
347			_aaudio file _bCD Audio _3Accompanying material
500			_aAccompanied by: 1 audio disc (CD)
504			_aIncludes bibliographical references (pages 237-261) and index.
505	0	0	_g1. _tCauses -- _g2. _tMaking America more musical : the phonograph and "good music" -- _g3. _tCapturing jazz -- _g4. _tAesthetics out of exigency : violin vibrato and the phonograph -- _g5. _tThe rise and fall of grammophonmusik -- _g6. _tThe turntable as weapon : understanding the DJ battle -- _g7. _tMusic in 1s and 0s : the art and politics of digital sampling -- _g8. _tListening in cyberspace.
520			_a"There is more to sound recording than just recording sound. Far from being simply a tool for the preservation of music, the technology is a catalyst. This is the clear message of Capturing Sound, a wide-ranging, deeply informative, consistently entertaining history of recording's profound impact on the musical life of the past century, from Edison to the Internet. In a series of case studies, Mark Katz explores how recording technology has encouraged new ways of listening to music, led performers to change their practices, and allowed entirely new musical genres to come into existence. An accompanying CD, featuring thirteen tracks from Chopin to Public Enemy, allows readers to hear what Katz means when he discusses music as varied as King Oliver's "Dippermouth Blues," a Jascha Heifetz recording of a Brahms Hungarian Dance, and Fatboy Slim's "Praise You.""--Publisher description.
588			_aMachine converted from AACR2 source record.
650		0	_aSound recording industry _9324308
650		0	_aMusic and technology _9328292
856	4	2	_3Contributor biographical information _uhttp://www.loc.gov/catdir/bios/ucal052/2004011383.html
907			_a.b10919922 _b22-09-19 _c27-10-15
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