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| 008 | 040531s2004 maua b 001 0 eng d | ||
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_a0262220679 _qalk. paper |
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_aNA500 _b.V47 2004 |
| 082 | 0 | 0 |
_a720.1 _222 |
| 100 | 1 |
_aVesely, Dalibor, _eauthor. _91050314 |
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| 245 | 1 | 0 |
_aArchitecture in the age of divided representation : _bthe question of creativity in the shadow of production / _cDalibor Vesely. |
| 264 | 1 |
_aCambridge, Mass. : _bMIT Press, _c[2004] |
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| 264 | 4 | _c©2004 | |
| 300 |
_axviii, 506 pages : _billustrations ; _c24 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 504 | _aIncludes bibliographical references (pages 464-491) and index. | ||
| 505 | 0 | 0 |
_gCh. 1. _tModernity, freedom, and destiny -- _gCh. 2. _tThe nature of communicative space -- _gCh. 3. _tThe perspectival transformation of the medieval world -- _gCh. 4. _tThe age of divided representation -- _gCh. 5. _tThe foundations of modern architecture -- _gCh. 6. _tCreativity in the shadow of modern technology -- _gCh. 7. _tThe rehabilitation of fragment -- _gCh. 8. _tToward a poetics of architecture. |
| 520 | 1 | _a"The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole."--BOOK JACKET. | |
| 588 | _aMachine converted from AACR2 source record. | ||
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_aArchitecture, Modern _xPhilosophy _9762603 |
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| 650 | 0 |
_aArchitecture _xAesthetics _9326208 |
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