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035			_a(DLC) 2002007083
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050	0	0	_aND553.C33 _bA88 2003
082	0	0	_a759.4 _221
100	1		_aAthanassoglou-Kallmyer, Nina M., _d1945- _9245158
245	1	0	_aCézanne and Provence : _bthe painter in his culture / _cNina Maria Athanassoglou-Kallmyer.
264		1	_aChicago : _bUniversity of Chicago Press, _c[2003]
264		4	_c©2003
300			_axiv, 323 pages : _billustrations (some colour) ; _c29 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0	0	_tIntroduction: A Retour au Pays -- _gCh. 1. _tProvincials -- _gCh. 2. _tIn the Spirit of Rabelais -- _gCh. 3. _tThe Old and the New -- _gCh. 4. _tSainte-Victoire and the End of Time -- _gCh. 5. _tArcadia -- _gCh. 6. _tEpilogue in Paris: Vollard.
520	1		_a"In 1886 Paul Cezanne left Paris permanently to settle in his native Aixen-Provence. Nina Maria Athanassoglou-Kallmyer argues that, far from an escapist venture like Gauguin's stay in Brittany or Monet's visit to Normandy, Cezanne's departure from Paris was a deliberate abandonment intimately connected with late-nineteenth-century French regionalist politics." "Like many of his childhood friends, Cezanne detested the homogenizing effects of modernism and bourgeois capitalism on the culture, people, and landscapes of his beloved Provence. Turning away from the mainstream modernist aesthetic of his impressionist years, Cezanne sought instead to develop a new artistic tradition more evocative of his Provencal heritage. Athanassoglou-Kallmyer shows that Provence served as a distinct and defining cultural force that shaped all aspects of Cezanne's approach to representation, including subject matter, style, and technical treatment. For instance, his self-portraits and portraits of family members reflect a specifically Provencal sense of identity. And Cezanne's Provencal landscapes express an increasingly traditionalist style firmly grounded in details of local history and even geology. These landscapes, together with images of bathers, cardplayers, and other figures, were key facets of Cezanne's imaginary reconstruction of Provence as primordial and idyllic - a modern French Arcadia."--BOOK JACKET.
588			_aMachine converted from AACR2 source record.
600	1	0	_aCézanne, Paul, _d1839-1906 _xCriticism and interpretation.
651		0	_aProvence (France) _xCivilization _9500971
856	4	2	_3Contributor biographical information _uhttp://www.loc.gov/catdir/bios/uchi051/2002007083.html
907			_a.b10907488 _b10-06-19 _c27-10-15
998			_a(3)b _a(3)c _b23-03-18 _cm _da _feng _gilu _h0
945			_a759.4 CEZ _g1 _iA261405B _j0 _lcmain _o- _p$85.77 _q- _r- _s- _t0 _u2 _v0 _w0 _x0 _y.i12099569 _z29-10-15
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999			_c1152125 _d1152125