000			03224cam a22004334i 4500
005			20221101190425.0
008			040503s2004 nyua b 001 0beng d
010			_a 2003042263
011			_aBIB MATCHES WORLDCAT
020			_a1890951390
020			_a9781890951399
035			_a(ATU)b10888950
035			_a(DLC) 2003042263
035			_a(OCoLC)51722781
040			_aDLC _beng _erda _dATU
041	1		_aeng _hfre
042			_apcc
050	0	0	_aN7483.W36 _bM4313 2004
082	0	0	_a709.2 _221
100	1		_aMichaud, Philippe-Alain, _eauthor. _91049323
240	1	0	_aAby Warburg et l'image en mouvement. _lEnglish
245	1	0	_aAby Warburg and the image in motion / _cPhilippe-Alain Michaud ; translated by Sophie Hawkes.
264		1	_aNew York : _bZone Books, _c2004.
300			_a402 pages : _billustrations ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0	0	_tForeword : knowledge : movement (The man who spoke to butterflies) / _rGeorges Didi-Huberman -- _gI. _tNew York : the movie set -- _gII. _tFlorence I : bodies in motion -- _gIII. _tFlorence II : the painted space -- _gIV. _tFlorence III : the theatrical stage -- _gV. _tAmong the Hopi -- _gVI. _tHamburg : the art history scene -- _gApp. I. _tZwischenreich : Mnemosyne, or expressivity without a subject -- _gApp. II. _tCrossing the frontiers : Mnemosyne between art history and Cinema -- _gApp. III. _tMemories of a journey : through the Pueblo Region / _rAby Warburg -- _gApp. IV. _tOn planned American visit (1927) / _rAby Warburg.
520	1		_a"Aby Warburg (1866-1929) is best known as the originator of the discipline of iconology and as the founder of the institute that bears his name. His followers included such celebrated art historians of the twentieth century such as Erwin Panofsky, Edgar Wind, and Fritz Saxl. But his heirs developed, for the most part, a domesticated iconology based on the decipherment and interpretation of symbolic material. As Phillippe-Alain Michaud demonstrates in this important book, Warburg's project was remote from any positivist or neo-Kantian ambitions. Nourished on the work of Nietzsche and Jacob Burckhardt, Warburg fashioned a "critical iconology" to reveal the irrationality of the image in Western culture." "Michaud provides us with a book not only about Warburg but one that extends his intuitions and discoveries into analyses of other categories of imagery like the Daguerreotype, the chronophotography of Etienne-Jules Marey, early cinema, and the dances of Loie Fuller. This edition also includes a foreword by Georges Didi-Huberman and texts by Warburg not previously translated into English."--BOOK JACKET.
588			_aMachine converted from AACR2 source record.
600	1	0	_aWarburg, Aby, _d1866-1929 _xCriticism and interpretation.
650		0	_aArt _xHistoriography _9347002
650		0	_aMotion in art _9372995
907			_a.b10888950 _b11-05-18 _c27-10-15
942			_cB
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998			_a(2)b _a(2)c _b11-05-18 _cm _da _feng _gnyu _h0
999			_c1150681 _d1150681