000			04896cam a2200541 i 4500
005			20221101185957.0
008			020530s2000 ne ag b 001 0 eng d
010			_a 2002421773
020			_a9057550679
020			_a9789057550676
020			_a9057550687 _qpbk.
020			_a9789057550683 _qpbk.
035			_a(ATU)b10877484
035			_a(OCoLC)40684395
040			_aUKM _beng _erda _cDLC _dUKM _dNGU _dIUL _dBAKER _dNLGGC _dBTCTA _dYDXCP _dOCLCG _dLGG _dGEQ _dGEBAY _dOCLCQ _dOCLCF _dOCLCA _dOCL _dOCLCO _dDEBBG _dCOF _dZ5A _dNJR _dQE2 _dBGU _dWLU _dUWO _dIL4J6 _dERE
041	1		_aeng _hrus
042			_alccopycat
050	0	0	_aML197 _b.L653 2000
050		4	_aMT90 _b.L6313 2000
082	0	0	_a780.9 _222
082	0	4	_a781 _221
100	1		_aLobanova, M. _q(Marina) _eauthor. _9504596
240	1	0	_aMuzykalʹnyĭ stilʹ i zhanr. _lEnglish
245	1	0	_aMusical style and genre : _bhistory and modernity / _cMarina Lobanova ; translated by Kate Cook.
264		1	_aAmsterdam : _bHarwood Academic, _c[2000]
264		4	_c©2000
300			_avi, 212 pages : _billustrations, music ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aTranslated from the Russian.
504			_aIncludes bibliographical references and index.
505	0	0	_gIntroduction. _tHistory and the present day -- _tThe problem of cultural dialogue -- _tUnprecedented reality: innovation, tradition, and style in epochs of great rupture. _t"Something has come to an end" -- _tThe antinomies of Baroque -- _tInnovation - tradition - culture -- _tBaroque "Conservatives" and "Modernists" -- _tInnovation in twentieth-century culture -- _tTradition: the preservation and transformation of culture -- _tCulture and memory -- _tThe principles of musical poetics - Baroque and the twentieth century. _tThe concept of music -- _t"Music" in the age of Baroque -- _t"Music" in the twentieth century -- _tThe "Musica politica" of the twentieth century -- _t"Seeing" or Hearing"? -- _tSpace - time - motion -- _tConcepts of space, time and motion in the age of Baroque -- _tThe development of a new concept of space, time and motion: 1920s to 1930s -- _tConcepts of musical time in twentieth century -- _tSpace-time compositions in music -- _tThe formation of a new concept of musical style. _tThe language of art in epochs of great rupture -- _tMusic and words: new treatments -- _tProblems of musical syntax: Baroque - Classicism - Romanticism -- _tThe "New musical syntax" of the twentieth century: principles and distinguishing features -- _tProblems of musical style: Classicism, Baroque and twentieth century. _tThe concept of style in the age of Baroque -- _tNew functions of musical style in the twentieth century -- _tThe problem of style in the early decades of the twentieth century -- _tThe "Polystylistic situation" in the second half of the 1960s -- _tFrom the "Polystylistic situation" to a "Mixed style" -- _tThe problem of musical genre: Baroque, Classicism and the twentieth century. _t"In mixto genere" -- _tThe crisis of "Absolute music" and the formation of the twentieth-century genre system -- _tThe genre experiment -- _tThe plurality principle -- _tThe mixing principle -- _tMemory in musical genre -- _tIn lieu of a conclusion. _tNew syntheses.
520	1		_a"In this book Marina Lobanova presents the case for a new type of historical analysis - related in its methods to the new historicism in literary criticism. Embracing such aspects of cultural life as poetry and philosophy, she deals with the problems of cultural dialogue and with the disintegration of the concept of "absolute music", proposing a radical reanalysis of "old" cultural objects and the contemporary creation of "new" ones. Lobanova stresses the need for cultural theories to enter into the cultural mores of a given period rather than import contemporary ideas and prejudices." "Drawing on a wide frame of reference (baroque, classical, romantic and contemporary music), Dr. Lobanova proposes an original concept of musical syntax with special emphasis on the role of the categories of time, space and motion in music."--Jacket.
546			_aTranslated from the Russian.
588			_aMachine converted from AACR2 source record.
650		0	_aMusic _y20th century _xHistory and criticism _9775717
650		0	_aStyle, Musical _9339280
650		0	_aMusical analysis _9321217
700	1		_aCook, Kate, _etranslator. _91048905
776	1	8	_w(OCoLC)45030322
856	4	1	_3Table of contents _uhttp://catdir.loc.gov/catdir/toc/fy041/2002421773.html
856	4	2	_3Publisher description _uhttp://catdir.loc.gov/catdir/enhancements/fy0653/2002421773-d.html
907			_a.b10877484 _b17-06-21 _c27-10-15
942			_cB
945			_a781 LOB _g1 _iA289424B _j0 _lcmain _o- _p$119.48 _q- _r- _s- _t0 _u9 _v0 _w0 _x0 _y.i12049736 _z29-10-15
998			_a(6)b _a(6)c _b06-04-16 _cm _da _feng _gne _h0
999			_c1149835 _d1149835