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005 20221109211833.0
008 990116s1990 enk 001 0 eng d
011 _aBIB MATCHES WORLDCAT
020 _a0415053064
_qpbk
020 _a9780415053068
_qpbk
035 _a(ATU)b10876194
035 _a(OCoLC)624471487
040 _aBNB
_beng
_erda
_dATU
050 1 4 _aML3470
082 0 4 _a782.42164
_220
245 0 0 _aOn record :
_brock, pop and the written word /
_cSimon Frith and Andrew Goodwin editors.
264 1 _aLondon :
_bRoutledge,
_c1990.
300 _axi, 492 pages ;
_c24 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
505 0 0 _gPart One.
_tGroundworks --
_tListening to Popular Music /
_rDavid Riesman --
_tThe Dialogue of Courtship in Popular Song /
_rDonald Horton --
_tThe Young Audience /
_rStuart Hall and Paddy Whannel --
_gPart Two.
_tFrom Subcultural to Cultural Studies --
_tThe Golden Age /
_rPaul Willis --
_tStyle as Homology and Signifying Practice /
_rDick Hebdige --
_tSettling Accounts with Subcultures: A Feminist Critique /
_rAngela McRobbie --
_tDefending Ski-Jumers: A Critique of Theories of Youth Subcultures /
_rGary Clarke --
_tCharacterizing Rock Music Culture: The Case of Heavy Metal /
_rWill Straw --
_tIs There Rock After Punk? /
_rLawrence Grossberg --
_gPart Three.
_tThe Organization of the Music Business --
_tProcessing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems /
_rPaul M. Hirsch --
_tCycles in Symbol Production: The Case of Popular Music /
_rRichard A. Peterson and David G. Berger --
_tPatterns of Change /
_rRoger Wallis and Krister Malm --
_gPart Four.
_tThe Creative Process --
_tThe Production of Success: An Antimusicology of the Pop Song /
_rAntoine Hennion --
_tFrom Craft to Art: The Case of Sound Mixers and Popular Music /
_rEdward R. Kealy --
_tThe Realities of Practice /
_rH. Stith Bennett --
_tHow Women Become Musicians /
_rMavis Bayton --
_tSample and Hold: Pop Music in the Digital Age of Reproduction /
_rAndrew Goodwin --
_gPart Five.
_tMusicology and Semiotics --
_tStart Making Sense! Musicology Wrestles with Rock /
_rSusan McClary and Robert Walser --
_tThe Grain of the Voice /
_rRoland Barthes --
_tOn Popular Music /
_rTheodor W. Adorno --
_tSecond Thoughts on a Rock Aesthetic: The Band /
_rAndrew Chester --
_tJingle: Pepsi-Cola Hits the Spot /
_rMark W. Booth --
_tListen to Me /
_rDave Laing --
_tDo-Talk and Don't-Talk: The Division of the Subject in Girl-Group Music /
_rBarbara Bradby --
_gPart Six.
_tMusic and Sexuality --
_tRock and Sexuality /
_rSimon Frith and Angela McRobbie --
_tSexing Elvis /
_rSue Wise --
_tTeenage Dreams /
_rSheryll Garratt --
_tIn Defense of Disco /
_rRichard Dyer --
_tAfterthoughts /
_rSimon Frith --
_gPart Seven.
_tReading the Stars --
_tRock Music, the Star System, and the Rise of Consumerism /
_rDavid Buxton --
_tRocket to Russia /
_rTom Carson --
_tIn Praise of Kate Bush /
_rHolly Kruse --
_tNew Pop and Its Aftermath /
_rSimon Reynolds --
_tCorrupting the Absolute /
_rGreil Marcus --
_gPart Eight.
_tLast Words: The Fans Speak --
_tStarlust /
_rFred Vermorel and Judy Vermorel.
588 _aMachine converted from AACR2 source record.
650 0 _aPopular music
_xHistory and criticism
_9370579
700 1 _aFrith, Simon.
_91029159
700 1 _aGoodwin, Andrew,
_d1956-2013
_9399294
907 _a.b10876194
_b17-03-21
_c27-10-15
942 _cB
945 _a782.42164 ON
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998 _a(2)b
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