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005 | 20221109211833.0 | ||
008 | 990116s1990 enk 001 0 eng d | ||
011 | _aBIB MATCHES WORLDCAT | ||
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_a0415053064 _qpbk |
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_a9780415053068 _qpbk |
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035 | _a(ATU)b10876194 | ||
035 | _a(OCoLC)624471487 | ||
040 |
_aBNB _beng _erda _dATU |
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050 | 1 | 4 | _aML3470 |
082 | 0 | 4 |
_a782.42164 _220 |
245 | 0 | 0 |
_aOn record : _brock, pop and the written word / _cSimon Frith and Andrew Goodwin editors. |
264 | 1 |
_aLondon : _bRoutledge, _c1990. |
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300 |
_axi, 492 pages ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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_aunmediated _bn _2rdamedia |
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_avolume _bnc _2rdacarrier |
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_gPart One. _tGroundworks -- _tListening to Popular Music / _rDavid Riesman -- _tThe Dialogue of Courtship in Popular Song / _rDonald Horton -- _tThe Young Audience / _rStuart Hall and Paddy Whannel -- _gPart Two. _tFrom Subcultural to Cultural Studies -- _tThe Golden Age / _rPaul Willis -- _tStyle as Homology and Signifying Practice / _rDick Hebdige -- _tSettling Accounts with Subcultures: A Feminist Critique / _rAngela McRobbie -- _tDefending Ski-Jumers: A Critique of Theories of Youth Subcultures / _rGary Clarke -- _tCharacterizing Rock Music Culture: The Case of Heavy Metal / _rWill Straw -- _tIs There Rock After Punk? / _rLawrence Grossberg -- _gPart Three. _tThe Organization of the Music Business -- _tProcessing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems / _rPaul M. Hirsch -- _tCycles in Symbol Production: The Case of Popular Music / _rRichard A. Peterson and David G. Berger -- _tPatterns of Change / _rRoger Wallis and Krister Malm -- _gPart Four. _tThe Creative Process -- _tThe Production of Success: An Antimusicology of the Pop Song / _rAntoine Hennion -- _tFrom Craft to Art: The Case of Sound Mixers and Popular Music / _rEdward R. Kealy -- _tThe Realities of Practice / _rH. Stith Bennett -- _tHow Women Become Musicians / _rMavis Bayton -- _tSample and Hold: Pop Music in the Digital Age of Reproduction / _rAndrew Goodwin -- _gPart Five. _tMusicology and Semiotics -- _tStart Making Sense! Musicology Wrestles with Rock / _rSusan McClary and Robert Walser -- _tThe Grain of the Voice / _rRoland Barthes -- _tOn Popular Music / _rTheodor W. Adorno -- _tSecond Thoughts on a Rock Aesthetic: The Band / _rAndrew Chester -- _tJingle: Pepsi-Cola Hits the Spot / _rMark W. Booth -- _tListen to Me / _rDave Laing -- _tDo-Talk and Don't-Talk: The Division of the Subject in Girl-Group Music / _rBarbara Bradby -- _gPart Six. _tMusic and Sexuality -- _tRock and Sexuality / _rSimon Frith and Angela McRobbie -- _tSexing Elvis / _rSue Wise -- _tTeenage Dreams / _rSheryll Garratt -- _tIn Defense of Disco / _rRichard Dyer -- _tAfterthoughts / _rSimon Frith -- _gPart Seven. _tReading the Stars -- _tRock Music, the Star System, and the Rise of Consumerism / _rDavid Buxton -- _tRocket to Russia / _rTom Carson -- _tIn Praise of Kate Bush / _rHolly Kruse -- _tNew Pop and Its Aftermath / _rSimon Reynolds -- _tCorrupting the Absolute / _rGreil Marcus -- _gPart Eight. _tLast Words: The Fans Speak -- _tStarlust / _rFred Vermorel and Judy Vermorel. |
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650 | 0 |
_aPopular music _xHistory and criticism _9370579 |
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700 | 1 |
_aFrith, Simon. _91029159 |
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700 | 1 |
_aGoodwin, Andrew, _d1956-2013 _9399294 |
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907 |
_a.b10876194 _b17-03-21 _c27-10-15 |
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