000			03400cam a2200457 i 4500
005			20221101185830.0
008			010627s2001 nyua b 001 0 eng d
010			_a 00069216
011			_aBIB MATCHES WORLDCAT
020			_a0312236409 _qhbk.
020			_a9780312236403 _qhbk.
035			_a(ATU)b10873260
035			_a(DLC) 00069216
035			_a(OCoLC)45618347
040			_aDLC _beng _erda _dATU
043			_ae-uk-ni
050	0	0	_aDA990.U46 _bS27 2001
082	0	0	_a941.60824 _221
100	1		_aSantino, Jack, _eauthor. _91048748
245	1	0	_aSigns of war and peace : _bsocial conflict and the use of public symbols in Northern Ireland / _cJack Santino.
250			_aFirst edition.
264		1	_aNew York : _bPalgrave, _c2001.
300			_ax, 145 pages : _billustrations ; _c22 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 138-141) and index.
505	0	0	_g1. _tHistory, Conflict, and Public Display in Northern Ireland -- _g2. _tRitual Display and Presentation -- _g3. _tAssemblage -- _g4. _tRituals of Death and Politics -- _g5. _tConflicts -- _g6. _tShared Style and Paradox.
520	1		_a"Signs of War and Peace focuses on the role public display plays in the conflict in Northern Ireland. In doing so, it ranges freely over other times, places, and events that shed light on the social and political processes and dynamics involved in public display traditions, such as the Saint Patrick's Day parades in Boston, Massachusetts and the popular spontaneous shrines to Lady Diana in London. The book is about the nature of public display and its relationships to class-based aesthetics, tradition, and popular style. It is also about contest, conflict, and civil war, and the ways in which the former are intimately intertwined with the latter, both in Northern Ireland and elsewhere throughout the world. The work is interdisciplinary, combining ethnographic, anthropological, folkloristic, and performance studies approaches. The book benefits from a large amount of field work by the author in Northern Ireland, and as a result contains both ethnographic data and revealing interviews with many people who have participated in the display events Santino analyzes. The perspective that Santino offers helps to explain the intensity of the conflict as well as the origins, motivations, and justifications of bonfires, murals, commemorative displays, parades and other forms that symbolically articulate what he terms the "dual master narratives" that underlie and in many ways articulate the parameters of that conflict."--BOOK JACKET.
588			_aMachine converted from AACR2 source record.
650		0	_aSigns and symbols _zNorthern Ireland _xHistory _y20th century.
650		0	_aSocial conflict _zNorthern Ireland _xHistory _y20th century.
650		0	_aPopular culture _zNorthern Ireland _xHistory _y20th century.
650		0	_aPublic opinion _zNorthern Ireland _xHistory _y20th century.
651		0	_aNorthern Ireland _xHistory _9372028
651		0	_aNorthern Ireland _xSocial conditions _y1969- _9500935
907			_a.b10873260 _b03-10-17 _c27-10-15
942			_cB
945			_a941.60824 SAN _g1 _iA289816B _j0 _lcmain _o- _p$105.56 _q- _r- _s- _t0 _u5 _v0 _w0 _x0 _y.i12066667 _z29-10-15
998			_a(2)b _a(2)c _b06-04-16 _cm _da _feng _gnyu _h0
999			_c1149541 _d1149541