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020 _a026212260X
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020 _a9780262122603
_qhc
_qalk. paper
035 _a(ATU)b10870465
035 _a(DLC) 2003061092
035 _a(OCoLC)52814160
040 _aDLC
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_erda
_dLIU
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042 _apcc
050 0 0 _aN72.T4
_bL43 2004
082 0 0 _a700.9046
_222
100 1 _aLee, Pamela M.,
_eauthor.
_91074776
245 1 0 _aChronophobia :
_bon time in the art of the 1960s /
_cPamela M. Lee.
264 1 _aCambridge, Mass. :
_bMIT Press,
_c[2004]
264 4 _c©2004
300 _axxv, 368 pages :
_billustrations ;
_c24 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references and index.
505 0 0 _gPt. I.
_tPresentness Is Grace --
_tIntroduction: Eros and Technics and Civilization --
_gCh. 1.
_tPresentness Is Grace --
_gPt. II.
_tAllegories of Kinesis --
_gCh. 2.
_tStudy for an End of the World --
_gCh. 3.
_tBridget Riley's Eye/Body Problem --
_gPt. III.
_tEndless Sixties --
_gCh. 4.
_tUltramoderne: Or, How George Kubler Stole the Time in Sixties Art --
_gCh. 5.
_tConclusion: The Bad Infinity/The Longue Duree.
520 1 _a"In the 1960s art fell out of time; both artists and critics lost their temporal bearings in response to what E. M. Cioran called "not being entitled to time." This anxiety and uneasiness about time, which Pamela Lee calls "chronophobia," cut across movements, media, and genres, and was figured in works ranging from kinetic sculptures to Andy Warhol films. Despite its pervasiveness, the subject of time and 1960s art has gone largely unexamined in historical accounts of the period. Chronophobia is the first critical attempt to define this obsession and analyze it in relation to art and technology."--BOOK JACKET.
588 _aMachine converted from AACR2 source record.
650 0 _aArt and technology
_xHistory
_y20th century.
650 0 _aTime in art
_9372986
650 0 _aNineteen sixties
_9328588
907 _a.b10870465
_b24-04-21
_c27-10-15
942 _cB
945 _a700.9046 LEE
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998 _a(2)b
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