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| 008 | 950801s1995 cau b 001 0 eng d | ||
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| 035 | _a(DLC) 95036928 | ||
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_aPN45 _b.G3813 1995 |
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_a801.93 _220 |
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_aGebauer, Gunter, _eauthor. _91048536 |
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| 240 | 1 | 0 |
_aMimesis. _lEnglish |
| 245 | 1 | 0 |
_aMimesis : _bculture, art, society / _cGunter Gebauer, Christoph Wulf ; translated by Don Reneau. |
| 264 | 1 |
_aBerkeley : _bUniversity of California Press, _c[1995] |
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| 264 | 4 | _c©1995 | |
| 300 |
_aix, 400 pages ; _c24 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 504 | _aIncludes bibliographical references (pages 369-389) and index. | ||
| 505 | 0 | 0 |
_tAcknowledgments -- _tIntroduction -- _g1. _tPoint of Departure -- _gPt. I. _tMimesis as Imitation, the Production of Appearances, and Fiction -- _g2. _tOn the Origins of the Concept -- _g3. _tImitation, Illusion, Image (Plato) -- _g4. _tThe Break in the History of Mimesis: The Use of Writing -- _g5. _tPoetic Mimesis (Aristotle) -- _gPt. II. _tMimesis as Imitatio, the Expression of Power, and Literate Subjectivity -- _g6. _tMimesis as Imitatio -- _g7. _tPoetics and Power in the Renaissance -- _g8. _tIntertextuality, Fragmentation, Desire: Erasmus, Montaigne, Shakespeare -- _gPt. III. _tMimesis as Enactment of the State -- _g9. _tThe Conflict Over History: The Querelle des Anciens et des Modernes -- _g10. _tMimesis as the Self-Representation of Political Power -- _g11. _tAgainst Mimesis as Self-Representation -- _gPt. IV. _tFrom Imitation to the Constitution of the Creative Subject -- _g12. _tProblems in the Imitation of Nature in the Eighteenth Century -- _g13. _tMimesis in the Theater of the Enlightenment -- _g14. _tDiderot's Paradox of Acting -- _g15. _tThe Transformation of Mimesis in Lessing -- _g16. _tSelf-Mimesis (Rousseau) -- _gPt. V. _tMimesis as the Principle of Worldmaking in the Novel and Society -- _g17. _tThe Mimetic Constitution of Social Reality -- _g18. _t"Mimetic Desire" in the Work of Girard -- _g19. _tViolence in Antiromantic Literature -- _g20. _tThe Mimesis of Violence (Girard) -- _gPt. VI. _tMimesis as Entree to the World, Language, and Writing -- _g21. _tNonsensuous Similarity: On the Linguistic Anthropology of Benjamin -- _g22. _tVital Experience (Adorno) -- _g23. _tThe Between-Character of Mimesis (Derrida) -- _tResults -- _tNotes -- _tBibliography -- _tIndex. |
| 520 | _a"Mimesis, the notion that art imitates reality, has long been recognized as one of the central ideas of Western aesthetics and has been most frequently associated with Aristotle. Less well documented is the great importance of mimetic theories of literature, theater, and the visual arts during the Renaissance and the Enlightenment. In this book, the most comprehensive overview of the theory of mimesis since Auerbach's monumental study, Gunter Gebauer and Christoph Wulf provide a thorough introduction to the complex and shifting meanings of the term. Beginning with the Platonic doctrine of imitation, they chart the concept's appropriation and significance in the aesthetic theories of Aristotle, Moliere, Shakespeare, Racine, Diderot, Lessing, and Rousseau. They examine the status of mimesis in the nineteenth-century novel and its reworking by such modern thinkers as Benjamin, Adorno, and Derrida. Widening the traditional understanding of mimesis to encompass the body and cultural practices of everyday life, their work suggests the continuing value of mimetic theory and will prove essential reading for scholars and students of literature, theater, and the visual arts."--Publisher description. | ||
| 588 | _aMachine converted from AACR2 source record. | ||
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_aMimesis in literature _9320921 |
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_aLiterature _xAesthetics _9332252 |
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_aAesthetics, Modern _y20th century _9313485 |
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_aWulf, Christoph, _d1944- _eauthor. _9256645 |
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