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_aBDS _beng _erda _cBDS _dUk _dWU _dBDS _dATU |
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041 | 0 | _aeng | |
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_a709.2 _221 |
100 | 1 |
_aWoodfield, Richard, _d1944- _eauthor. _9394673 |
|
245 | 1 | 0 |
_aFraming formalism : _bRiegl's work / _ccommentary, Richard Woodfield. |
264 | 1 |
_aAmsterdam : _bG+B Arts International ; _aAbingdon : _bMarston, _c2001. |
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300 |
_aviii, 317 pages : _billustrations ; _c23 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 | _aCritical voices in art, theory and culture | |
504 | _aIncludes bibliographical references. | ||
505 | 0 | 0 |
_tIntroduction to the Series -- _tIntroduction - Alois Reigl: History's Deposition -- _tThe Quintessence of Riegl's Thought -- _tAlois Riegl -- _tReading Riegl's Kunst-Industrie -- _tSpace, Grace, and Stylistic Conformity: Spatromische Kunstindustrie, and Architecture -- _tProblems of Style: Riegl's Problematic Foundations -- _tAlois Riegl: Volkskunst, Hausfleiss, und Hausindustrie -- _tThe Vital Skin: Riegl, The Maori, and Loos -- _tThe Reception and First Criticism of Alois Riegl in the Czech Protection of Historical Monuments -- _tRiegl and the Family Portrait, or How to Deal with a Genre or Group of Art -- _tI've Got You Under My Skin: Rembrandt, Riegl, and the Will of Art History -- _tSubjectivity and Modernism: Riegl and the Rediscovery of the Baroque -- _tWorks That Have Lasted... Walter Benjamin Reading Alois Riegl -- _tCommentary -- _tContributors. |
588 | _aMachine converted from AACR2 source record. | ||
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_aRiegl, Alois, _d1858-1905 _xCriticism and interpretation. |
650 | 0 |
_aFormalism (Art) _9337859 |
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830 | 0 |
_aCritical voices in art, theory and culture. _91024259 |
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