000			03129cam a2200421 i 4500
005			20221109185637.0
008			010726s2001 enka b 001 0 eng d
010			_a 2002265723
011			_aChanged OCLC from 47677901 to 50581649
020			_a0714840149
020			_a9780714840147
035			_a(ATU)b10809156
035			_a(DLC) 2002265723
035			_a(OCoLC)50581649
040			_aDLC _beng _erda _dATU
042			_alccopycat
050	0	0	_aTR654 _b.H342 2001
082	0		_a778.92
100	1		_aHall, Stuart, _d1932-2014 _eauthor. _9391179
245	1	0	_aDifferent : _ba historical context / _c[Stuart Hall, Mark Sealy].
264		1	_aLondon ; _aNew York : _bPhaidon, _c2001.
300			_a205 pages, 1 unnumbered pages : _billustrations (some colour) ; _c25 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aSubtitle from page following t.p.
500			_aOn spine: Contemporary photographers and black identity.
504			_aIncludes bibliographical references (page 206) and index.
520	1		_a"This book represents a sample of the striking photographic images produced, in an explosion of creative work since the mid-1980s, by artists culturally or geographically marginalized from the centres of power and authority. Following an introduction which sets the work in a historical context, the book's main focus is the work of a selection of contemporary photographers who have used the image to explore and subvert the idea of 'black identity'. It charts their struggles to make the invisible visible, to open a 'third space' in cultural representation, and to 'write' their experiences, their bodies and their subjectivities back into the frame from which they were excluded - a new kind of photographic ' writing-of-the-self' or auto-graphy." "The book includes the work of African, African American, Black British, British Asian, Afro-Vietnamese, Aboriginal and other diaspora artists. The term 'black photography' is used in its broadest, most inclusive sense. Black is considered to be a political and cultural, not a genetic or biological, category. It is a contested idea, whose ultimate destination remains unsettled. And 'identity' is understood as always, in part, an invention; about 'becoming' as well as 'being'; and subject to the continuous play of history, culture and power. What makes it possible to compare the work of these photographers across their significant differences is their common historical experience of living in a racialized world. The many ways in which this fact inflects their practice is the 'difference' which generates the title: Different."--BOOK JACKET.
588			_aMachine converted from AACR2 source record.
650		0	_aPhotography, Artistic. _9351696
650		0	_aBlacks in art _9337421
700	1		_aSealy, Mark, _eauthor. _91046472
907			_a.b10809156 _b09-11-17 _c27-10-15
942			_cB
945			_a778.92 HAL _g1 _iA419554B _j0 _lcmain _o- _p$0.00 _q- _r- _s- _t0 _u16 _v0 _w0 _x0 _y.i11963360 _z29-10-15
998			_ab _ac _b06-04-16 _cm _da _feng _genk _h0
999			_c1144821 _d1144821