| 000 | 03319cam a22003258a 4500 | ||
|---|---|---|---|
| 005 | 20221101183357.0 | ||
| 008 | 011207s2003 enk 000 0 eng | ||
| 011 | _aBIB MATCHES WORLDCAT | ||
| 015 | _aGBA2-Z7436 | ||
| 016 | 7 |
_a0415170273 _2Uk |
|
| 020 | _a0415170273 | ||
| 020 |
_a0415170281 (pbk.) : _c£19.99 |
||
| 035 | _a(ATU)b10796915 | ||
| 035 | _a(OCoLC)48678431 | ||
| 040 | _aBNB | ||
| 082 | 0 | _a781.6309 | |
| 100 | 1 |
_aConnell, John, _d1952- _9412787 |
|
| 245 | 1 | 0 |
_aSound tracks : _bpopular music identity and place / _cJohn Connell, Chris Gibson. |
| 264 | 1 |
_aLondon : _bRoutledge, _c2003. |
|
| 300 |
_axii, 320 p. : _bill. ; _c24 cm. |
||
| 505 | 0 | 0 |
_g1. _tInto the music -- _g2. _tMusic and place: 'fixing authenticity' -- _g3. _tMusic and movement: overcoming space -- _g4. _tThe place of lyrics -- _g5. _tSounds and scenes: a place for music? -- _g6. _tMusic communities: national identity, ethnicity and place -- _g7. _tNew worlds: music from the margins? -- _g8. _tA world of flows: music, mobility and transnational soundscapes -- _g9. _tAural architecture: the spaces of music -- _g10. _tMarketing place: music and tourism -- _g11. _tTerra Digitalia? Music, copyright and territory in the information age -- _g12. _tThe long and winding road ... |
| 520 | 1 | _a"Sound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts." "Sound Tracks traces the ways in which music has informed complex globalisations, the role of companies and technology in diffusion, innovation and commercialism and the wider significance of cultural industries. It links migration and mobility to new musical practices, whether in 'developing' countries of metropolitan centres, and traces the recent rise of 'music tourism'. It examines issues of authenticity and credibility, and the quest for roots within different musical genres, from buskers to brass bands, and from rap to rai. Sound Tracks emphasises music's contributions to the contradictions, illusions and celebrations of contemporary life. It situates music and the music industry within spatial theories of globalisation and local change: fixity and fluidity entangled." "In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly linked to place, through claims to tradition, 'authenticity' and originality, and as a marketing device. This book develops new perspectives on these relationships and how they are situated within cultural and geographical thought."--Preliminary paging. | |
| 650 | 0 |
_aPopular music _xSocial aspects _9629853 |
|
| 700 | 1 |
_aGibson, Chris. _91046082 |
|
| 907 |
_a.b10796915 _b03-10-17 _c27-10-15 |
||
| 942 | _cB | ||
| 945 |
_a781.6309 CON _g1 _iA259071B _j0 _lcmain _o- _p$175.29 _q- _r- _s- _t0 _u10 _v0 _w0 _x0 _y.i11935492 _z29-10-15 |
||
| 945 |
_a781.6309 CON _g1 _iA290612B _j0 _lcmain _o- _p$211.57 _q- _r- _s- _t0 _u10 _v0 _w0 _x0 _y.i12092502 _z29-10-15 |
||
| 998 |
_a(2)b _a(2)c _b06-04-16 _cm _da _feng _genk _h0 |
||
| 999 |
_c1143976 _d1143976 |
||