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005 | 20221101182944.0 | ||
008 | 010130s2001 enka b 001 0beng d | ||
010 | _a 2001022061 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 | _a1840146087 | ||
020 | _a9781840146080 | ||
035 | _a(ATU)b10784329 | ||
035 | _a(OCoLC)45861731 | ||
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_aN6886.A9 _bM67 2001 |
082 | 0 | 4 |
_a759.3 _222 |
100 | 1 |
_aMorrall, Andrew, _eauthor. _9251425 |
|
245 | 1 | 0 |
_aJörg Breu the Elder : _bart, culture, and belief in Reformation Augsburg / _cAndrew Morrall. |
264 | 1 |
_aAldershot, Hants., England ; _aBurlington, VT, USA : _bAshgate, _c[2001] |
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264 | 4 | _c©2001 | |
300 |
_axvi, 281 pages : _billustrations (some colour) ; _c25 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 | _aHistories of vision | |
504 | _aIncludes bibliographical references (pages 259-274) and index. | ||
505 | 0 | 0 |
_tList of illustrations -- _tAcknowledgements -- _tIntroduction: The artist's smile -- _g1. _tThe artist and his workshop, c.1498-c.1517 -- _tBeginnings: the Austrian altarpieces -- _tEconomic background -- _tWorks in fresco -- _tPanel painting: style and patronage -- _tThe artist as designer -- _tWoodcuts -- _tDesigns for sculpture -- _tDesigns for glass -- _tThe drawings for the Months of the Year -- _tPainters, glaziers and glass-painters -- _g2. _tThe turn towards Italy -- _tAugsburg and the South -- _tThe Aufhausen Madonna -- _tThe Prayerbook of Maximilian I -- _tImage and verse -- _tThe frescoes for the Augsburg Town Hall -- _tThe organ shutters of the Fugger Chapel in St Anna, Augsburg -- _tThe large wings -- _tThe trip to Italy -- _tThe small organ shutters -- _tStyle and dating -- _g3. _tBreu and the Reformation -- _tThe course of the Reformation in Augsburg -- _tThe Reformation and the arts -- _tThe Chronicle -- _tBreu's Protestantism: a case study in Reformation piety -- _tPainting and the Reformation -- _tWoodcut illustrations -- _tThe soldier as unrepentant thief -- _tGarlic, the Jews and 'the sleep of ignorance': The Mocking of Christ -- _tSt Thomas as Exemplar of Faith: humanist responses to the Reformation and the origins of the Emblem -- _tThe St Ursula Altarpiece: iconoclasm and the image question -- _tBreu and Zwinglianism -- _tThe Holy Works of Mercy -- _g4. _tThe 'deutsch' and the 'welsch': neoclassicism and its uses -- _g5. _tConclusion -- _gAppendix. _tHand-list of surviving or recorded designs for glass and glass roundels -- _tBibliography -- _tIndex. |
520 | 1 | _a"Jorg Breu belonged to the generation of German Renaissance artists that included Durer, Cranach, Grunewald, Altdorfer and, in his own city of Augsburg, Hans Burgkmair the Elder. His art registered the early reception of Italian art in Germany and spanned the dramatic years of the Reformation in Augsburg, when the city was riven with social and religious tensions. Uniquely, for a German artist, Breu left a diary chronicling his reaction to the massive social and cultural forces that engulfed him, including his own conversion to the Protestant cause. His story is representative of the condition of many artists during the Reformation years living through this watershed between two cultural eras and the enforced transfer of creative energies from religious painting to secular and applied forms of art. In this wide-ranging and original study, Andrew Morrall examines the effect of these events on the nature and practice of Jorg Breu's art and its reception, not just in his own period, but right up to the present day."--BOOK JACKET. | |
588 | _aMachine converted from AACR2 source record. | ||
600 | 1 | 0 |
_aBreu, Jörg, _dapproximately 1480-1537 _9412378 |
650 | 0 |
_aArt, German _zGermany _zAugsburg _9629210 |
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650 | 0 |
_aArt, Renaissance _zGermany _zAugsburg _9629224 |
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_aReformation and art _zGermany _zAugsburg _9629232 |
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650 | 0 |
_aPainters _zGermany _y16th century _vBiography. |
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650 | 0 |
_aArt _y16th century _zGermany. |
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650 | 0 |
_aReformation and art _zGermany _9629241 |
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_aHistories of vision. _91045595 |
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