000			02008cam a2200421 i 4500
005			20221101181855.0
008			920210s1993 enka b 001 0 eng d
010			_a 92007895
011			_aBIB MATCHES WORLDCAT
020			_a0415068223 _qpbk.
020			_a9780415068222 _qpbk.
020			_a0415068215
020			_a9780415068215
035			_a(ATU)b10748519
035			_a(OCoLC)25412198
040			_aDLC _beng _erda _dATU
050	0	0	_aNX650.P6 _bP47 1993
082	0		_a700.103
100	1		_aPhelan, Peggy, _eauthor. _91026459
245	1	0	_aUnmarked : _bthe politics of performance / _cPeggy Phelan.
264		1	_aLondon ; _aNew York : _bRoutledge, _c1993, 2001.
300			_axi, 207 pages : _billustrations ; _c25 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 195-202) and index.
505	0	0	_tList of figures -- _tAcknowledgements -- _g1. _tBroken symmetries: memory, sight, love -- _g2. _tDeveloping the negative: Mapplethorpe, Schor, and Sherman -- _g3. _tSpatial envy: Yvonne Rainer's The Man Who Envied Women -- _g4. _tThe golden apple: Jennie Livingston's Paris Is Burning -- _g5. _tTheatre and its mother: Tom Stoppard's Hapgood -- _g6. _tWhite men and pregnancy: discovering the body to be rescued -- _g7. _tThe ontology of performance: representation without reproduction -- _g8. _tAfterword: notes on hope -- _tNotes -- _tBibliography -- _tIndex.
588			_aMachine converted from AACR2 source record.
650		0	_aArts _xPolitical aspects _9774775
650		0	_aPolitics in art _9372381
650		0	_aFeminism and the arts _9317813
650		0	_aPerformance art _9322081
650		0	_aArts, Modern _y20th century. _9371075
907			_a.b10748519 _b11-10-21 _c27-10-15
942			_cB
945			_a700.103 PHE _g1 _iA255983B _j0 _lcmain _o- _p$53.72 _q- _r- _s- _t0 _u28 _v11 _w1 _x5 _y.i11845429 _z29-10-15
998			_a(2)b _a(2)c _b06-04-16 _cm _da _feng _genk _h0
999			_c1140751 _d1140751