000 | 03999cam a2200397 i 4500 | ||
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005 | 20221109232051.0 | ||
008 | 971210s1998 miua b s001 0 eng d | ||
010 | _a 97051990 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a0814326390 _qpbk. (alk. paper) |
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020 |
_a9780814326398 _qpbk. (alk. paper) |
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035 | _a(ATU)b10739634 | ||
035 | _a(OCoLC)38106819 | ||
040 |
_aDLC _beng _erda _cDLC _dDLC _dATU |
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050 | 0 | 0 |
_aPN1995.9.D6 _bD58 1998 |
082 | 0 | _a070.18 | |
245 | 0 | 0 |
_aDocumenting the documentary : _bclose readings of documentary film and video / _cedited by Barry Keith Grant and Jeannette Sloniowski. |
264 | 1 |
_aDetroit : _bWayne State University Press, _c[1998] |
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264 | 4 | _c©1998 | |
300 |
_a488 pages : _billustrations ; _c23 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 | _aContemporary film and television series | |
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_tForeword -- _tPreface -- _tAcknowledgments -- _tIntroduction -- _g1. _tThe Filmmaker as Hunter: Robert Flaherty's Nanook of the North -- _g2. _t"Peace between Man and Machine": Dziga Vertov's The Man with a Movie Camera -- _g3. _tParadise Regained: Sergei Eisenstein's Que viva Mexico! as Ethnography -- _g4. _tSynthetic Vision: The Dialectical Imperative of Luis Bunuel's Las Hurdes -- _g5. _tThe Art of National Projection: Basil Wright's Song of Ceylon -- _g6. _tThe Mass Psychology of Fascist Cinema: Leni Riefenstahl's Triumph of the Will -- _g7. _tAmerican Documentary Finds Its Voice: Persuasion and Expression in The Plow That Broke the Plains and The City -- _g8. _t"Men Cannot Act before the Camera in the Presence of Death": Joris Ivens's The Spanish Earth -- _g9. _tThe Poetics of Propaganda: Humphrey Jennings and Listen to Britain -- _g10. _t"It Was an Atrocious Film": Georges Franju's Blood of the Beasts -- _g11. _tThe "Dialogic Imagination" of Jean Rouch: Covert Conversations in Les maitres fous -- _g12. _tDocumenting the Ineffable: Terror and Memory in Alain Resnais's Night and Fog -- _g13. _t"Don't You Ever Just Watch?": American Cinema Verite and Dont Look Back -- _g14. _t"Ethnography in the First Person": Frederick Wiseman's Titicut Follies -- _g15. _tThe Two Avant-gardes: Solanas and Getino's The Hour of the Furnaces -- _g16. _tSeeing with Experimental Eyes: Stan Brakhage's The Act of Seeing with One's Own Eyes -- _g17. _t"A Bastard Union of Several Forms": Style and Narrative in An American Family -- _g18. _tThe Documentary of Displaced Persona: Michael Rubbo's Daisy: The Story of a Facelift -- _g19. _tGender, Power, and a Cucumber: Satirizing Masculinity in This Is Spinal Tap -- _g20. _tDocumentary Film and the Discourse of Hysterical/Historical Narrative: Ross McElwee's Sherman's March -- _g21. _tSubjectivity Lost and Found: Bill Viola's I Do Not Know What It Is I Am Like -- _g22. _tThe Filmmaker as Global Circumnavigator: Peter Watkins's The Journey and Media Critique -- _g23. _tMirrors without Memories: Truth, History, and The Thin Blue Line -- _g24. _tDocumentaphobia and Mixed Modes: Michael Moore's Roger & Me -- _g25. _tSilence and Its Opposite: Expressions of Race in Tongues Untied -- _g26. _tContaining Fire: Performance in Paris Is Burning -- _g27. _tContested Territory: Camille Billops and James Hatch's Finding Christa -- _tGeneral Bibliography -- _tSources for Films and Videos -- _tFilm and Video Distributors -- _tContributors -- _tIndex. |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aDocumentary films _xHistory and criticism _9371494 |
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700 | 1 |
_aGrant, Barry Keith, _d1947- _eeditor. _9233356 |
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700 | 1 |
_aSloniowski, Jeannette, _d1946- _eeditor. _9410510 |
|
830 | 0 |
_aContemporary film and television series. _9238327 |
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907 |
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