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035 | _a(ATU)b10739580 | ||
035 | _a(OCoLC)45484783 | ||
040 |
_aBNB _beng _erda _dATU |
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082 | 0 | _a709.4109034 | |
100 | 1 |
_aCherry, Deborah, _eauthor. _91044354 |
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245 | 1 | 0 |
_aBeyond the frame : _bfeminism and visual culture, Britain 1850-1900 / _cDeborah Cherry. |
264 | 1 |
_aLondon : _bRoutledge, _c2000. |
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300 |
_axvii, 268 pages : _billustrations, portraits ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aIncludes index. | ||
505 | 0 | 0 |
_tIntroduction -- _g1. _tArtists and Militants -- _tArtists and militants -- _tGeographies of art and feminism -- _tModern women, modern life -- _tWriting women, art and feminism -- _g2. _tIn /Between the Colonial Theatre: Visuality, Visibility and Modernity -- _tShuttling, "soul making" and the art of travel -- _tModernity, visuality and visibility -- _g3. _tThe "Worlding" of Algeria: Feminism, Imperialism and Visual Culture Worlding -- _tA texting, textualising": feminist subjects in the landscape -- _tA making into art, making into an object to be understood" -- _g4. _tHarriet Hosmer's Zenobia: A Question of Authority -- _tAuthorship and authority -- _tThe making of a name and a statue -- _tWarrior queen, savant and woman of colour -- _g5. _tFeminist politics and professional strategies -- _tWomen, power, knowledge -- _tFeminism and the tactics of representation -- _tTowards an allegorical reading -- _tAppendix: Selected publications on Algeria, 1857-65. |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aArt, British _y19th century _9347021 |
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650 | 0 |
_aWomen's rights _zGreat Britain _xHistory _y19th century. |
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