000			04034cam a2200433 i 4500
005			20221101194151.0
008			971202s1997 nyua b 001 0 eng d
010			_a 96016844
011			_aBIB MATCHES WORLDCAT
020			_a0719046122
020			_a9780719046124
020			_a0719046149 _qpbk.
020			_a9780719046148 _qpbk.
035			_a(ATU)b10737091
035			_a(OCoLC)34598060
040			_aDLC _beng _erda _cDLC _dUKM _dPMC _dBAKER _dNLGGC _dBTCTA _dYDXCP _dNLE _dBNM _dGEBAY _dZWZ _dATU
050	0	0	_aN7575 _b.W66 1997
082	0	0	_a704.942 _221
245	0	0	_aPortraiture : _bfacing the subject / _cedited and introduced by Joanna Woodall.
264		1	_aManchester ; _aNew York : _bManchester University Press, _c1997.
264		2	_aManchester ; _aNew York : _bDistributed exclusively in the USA and Canada by St. Martin's Press
300			_axv, 282 pages : _billustrations ; _c25 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aCritical introductions to art
504			_aIncludes bibliographical references and index.
505	0	0	_tList of illustrations -- _tList of contributors -- _tPreface -- _tIntroduction: facing the subject -- _gPt. I. _tThe Sexual Self -- _g1. _tHomosociality and erotics in Italian Renaissance portraiture -- _g2. _tThe ideology of feminine 'virtue': the vestal virgin in French eighteenth-century allegorical portraiture -- _gPt. II. _tThe Social Self -- _g3. _tSovereign bodies: the reality of status in seventeenth-century Dutch portraiture -- _g4. _tMedical men 1780-1820 -- _gPt. III. _tLikeness and Identity -- _g5. _tPhotographic likeness -- _g6. _tPhotographic portraiture in central India in the 1980s and 1990s -- _gPt. IV. _tThe Portrait Transaction -- _g7. _tShe's got the look! Eighteenth-century female portrait painters and the psychology of a potentially 'dangerous employment' -- _g8. _tInscribing alterity: transactions of self and other in Miro self-portraits -- _gPt. V. _tIdentity and Truth -- _g9. _tKahnweiler's Picasso; Picasso's Kahnweiler -- _g10. _tRembrandt / Genet / Derrida -- _gPt. VI. _tThe Authority of Portraiture -- _g11. _tFacing the past and present: the National Portrait Gallery and the search for 'authentic' portraiture -- _g12. _tThe portrait's dispersal: concepts of representation and subjectivity in contemporary portraiture -- _gPt. VII. _tWhat is a Portrait? -- _g13. _tPre-figured features: a view from the Papua New Guinea highlands -- _tEclectic bibliography -- _tIndex.
520			_a"Portraiture occupies a central position in the history of Western art. It has been the most popular genre of painting and has been crucial to the construction and articulation of individualism. Despite this, its status within academic art theory is uncertain and there is no adequate critical analysis of the subject available. With an international team of specialists, including Patricia Simmons, Ludmilla Jordanova, John Gage, Marcia Pointon and Ernst Van Alphen, this volume provides a much-needed, comprehensive and up-to-date introduction to the major issues in the history of portraiture. The book's chapters are structured chronologically, progressing from the Italian Renaissance to Dutch seventeenth-century portraiture and on to Picasso, surrealism, Lucian Freud and Cindy Sherman. Each chapter examines the key developments in portraiture within each specific period, complete with analytical subheadings, making this an ideal book for students."--Publisher description.
588			_aMachine converted from AACR2 source record.
650		0	_aPortraits _9322602
650		0	_aIdentity (Psychology) in art _9372342
700	1		_aWoodall, Joanna, _eeditor, _ewriter of supplementary textual content. _91044270
830		0	_aCritical introductions to art. _91074782
907			_a.b10737091 _b26-03-18 _c27-10-15
942			_cB
945			_a704.942 POR _g1 _iA145128B _j0 _lcmain _o- _p$49.07 _q- _r- _s- _t0 _u23 _v0 _w0 _x0 _y.i11815620 _z29-10-15
998			_ab _ac _b06-04-16 _cm _da _feng _gnyu _h0
999			_c1140099 _d1140099