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008 941114s1995 nyua b 001 0 eng d
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011 _aBIB MATCHES WORLDCAT
020 _a0415106230
_qpbk.
020 _a9780415106238
_qpbk.
020 _a0415106222
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035 _a(ATU)b10735422
035 _a(OCoLC)31606717
040 _aDLC
_beng
_erda
_dATU
050 0 0 _aNX458.
_bV57 1995
082 0 _a700.103
245 0 0 _aVisual culture /
_cedited by Chris Jenks.
264 1 _aLondon ;
_aNew York :
_bRoutledge,
_c1995.
300 _axi, 269 pages :
_billustrations ;
_c25 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references and index.
505 0 0 _tList of figures --
_tList of contributors --
_tAcknowledgements --
_g1.
_tThe Centrality of the Eye in Western Culture: An Introduction --
_g2.
_tAdvertising: The Rhetorical Imperative --
_g3.
_tReporting and Visualising --
_g4.
_tFractured Subjectivity --
_g5.
_tThe City, The Cinema: Modern Spaces --
_g6.
_tFabulous Confusion! Pop Before Pop? --
_g7.
_tAn Art of Scholars: Corruption, Negation and Particularity in Paintings by Ryman and Richter --
_g8.
_tWatching Your Step: The History and Practice of the Flaneur --
_g9.
_tReich Dreams: Ritual Horror and Armoured Bodies --
_g10.
_tTelevision: Not So Much a Visual Medium, More a Visible Object --
_g11.
_tFoucault's Optics: The (In) Vision of Mortality and Modernity --
_g12.
_tManaging 'Tradition': The Plight of Aesthetic Practices and Their Analysis in a Technoscientific Culture --
_g13.
_tPhotography and Modern Vision: The Spectacle of 'Natural Magic' --
_g14.
_tThree Images of the Visual: Empirical, Formal and Normative --
_tIndex.
588 _aMachine converted from AACR2 source record.
650 0 _aArts, Modern
_y20th century
_9371075
650 0 _aPopular culture.
_9322576
650 0 _aVisual communication.
_9325607
700 1 _aJenks, Chris,
_eeditor.
_9227169
907 _a.b10735422
_b03-10-17
_c27-10-15
998 _a(2)b
_a(2)c
_b06-04-16
_cm
_da
_feng
_gnyu
_h0
945 _a700.103 VIS
_g1
_iA256598B
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_lcmain
_o-
_p$55.58
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