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008 | 010625s2001 enk 000 0 eng | ||
011 | _aBIB MATCHES WORLDCAT | ||
015 | _aGBA1-W7761 | ||
020 |
_a1859734642 (PBK.) _c£14.99 |
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035 | _a(ATU)b10732196 | ||
035 | _a(OCoLC)47270372 | ||
040 | _aOCoLC | ||
082 | 0 | _a701.03 | |
245 | 0 | 0 |
_aBeyond aesthetics : _bart and the technologies of enchantment / _cedited by Christopher Pinney and Nicholas Thomas. |
264 | 1 |
_aOxford : _bBerg, _c2001. |
|
300 | _a215 p. | ||
504 | _aBibliography. | ||
500 | _aIncludes index. | ||
505 | 0 | 0 |
_tIntroduction / _rNicholas Thomas -- _g1. _tRomanticism, from Foi Site Poetry to Schubert's Winterreise / _rJames F. Weiner -- _g2. _tAgency, History and Tradition in The Construction of 'Classical' Music: The Debate Over 'Authentic Performance' / _rIan Keen -- _g3. _tWhy Knot? Towards a Theory of Art and Mathematics / _rSusanne Kuchler -- _g4. _tCaptivation, Representation, and the Limits of Cognition: Interpreting Metaphor and Metonymy in Tahitian Tamau / _rAnne D'Alleva -- _g5. _tWhat Makes Singo Different: North Vanuatu Textiles and the Theory of Captivation / _rLissant Bolton -- _g6. _tThe Captivating Agency of Art: Many Ways of Seeing / _rShirley Campbell -- _g7. _tThe Fame of Trinis: Websites as Traps / _rDaniel Miller -- _g8. _tPiercing the Skin of the Idol / _rChristopher Pinney -- _g9. _tThe Politics and Personhood of Tibetan Buddhist Icons / _rClare Harris -- _g10. _tAboriginal Cultural Production into Art: The Complexity of Redress / _rFrancesca Merlan -- _g11. _tWhen the (Oven) Gloves Are Off: The Queen's Baton - Doing What to Whom? / _rCharlotte Townsend-Gault -- _g12. _tThe Patent and the Malanggan / _rMarilyn Strathern. |
650 | 0 |
_aArt and anthropology _9314077 |
|
650 | 0 |
_aArt and society _9314091 |
|
700 | 1 |
_aPinney, Christopher. _91044129 |
|
700 | 1 |
_aThomas, Nicholas. _91044130 |
|
907 |
_a.b10732196 _b03-10-17 _c27-10-15 |
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