000 02178cam a22003258a 4500
005 20230825152200.0
008 010625s2001 enk 000 0 eng
011 _aBIB MATCHES WORLDCAT
015 _aGBA1-W7761
020 _a1859734642 (PBK.)
_c£14.99
020 _a1859734596
035 _a(ATU)b10732196
035 _a(OCoLC)47270372
040 _aOCoLC
082 0 _a701.03
245 0 0 _aBeyond aesthetics :
_bart and the technologies of enchantment /
_cedited by Christopher Pinney and Nicholas Thomas.
264 1 _aOxford :
_bBerg,
_c2001.
300 _a215 p.
504 _aBibliography.
500 _aIncludes index.
505 0 0 _tIntroduction /
_rNicholas Thomas --
_g1.
_tRomanticism, from Foi Site Poetry to Schubert's Winterreise /
_rJames F. Weiner --
_g2.
_tAgency, History and Tradition in The Construction of 'Classical' Music: The Debate Over 'Authentic Performance' /
_rIan Keen --
_g3.
_tWhy Knot? Towards a Theory of Art and Mathematics /
_rSusanne Kuchler --
_g4.
_tCaptivation, Representation, and the Limits of Cognition: Interpreting Metaphor and Metonymy in Tahitian Tamau /
_rAnne D'Alleva --
_g5.
_tWhat Makes Singo Different: North Vanuatu Textiles and the Theory of Captivation /
_rLissant Bolton --
_g6.
_tThe Captivating Agency of Art: Many Ways of Seeing /
_rShirley Campbell --
_g7.
_tThe Fame of Trinis: Websites as Traps /
_rDaniel Miller --
_g8.
_tPiercing the Skin of the Idol /
_rChristopher Pinney --
_g9.
_tThe Politics and Personhood of Tibetan Buddhist Icons /
_rClare Harris --
_g10.
_tAboriginal Cultural Production into Art: The Complexity of Redress /
_rFrancesca Merlan --
_g11.
_tWhen the (Oven) Gloves Are Off: The Queen's Baton - Doing What to Whom? /
_rCharlotte Townsend-Gault --
_g12.
_tThe Patent and the Malanggan /
_rMarilyn Strathern.
650 0 _aArt and anthropology
_9314077
650 0 _aArt and society
_9314091
700 1 _aPinney, Christopher.
_91044129
700 1 _aThomas, Nicholas.
_91044130
907 _a.b10732196
_b03-10-17
_c27-10-15
942 _cB
945 _a701.03 BEY
_g1
_iA408906B
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