000			03575cam a2200505 i 4500
005			20211105092440.0
008			991018s1999 enkabc bc 001 0beng d
010			_a 99006287
011			_aBIB MATCHES WORLDCAT
020			_a0937311588 _qpbk.
020			_a9780937311585 _qpbk.
020			_a0393048497 _qhardcover
020			_a9780393048490 _qhardcover
020			_a093731157X _qhardcover
020			_a9780937311578 _qhardcover
035			_a(ATU)b1073028x
035			_a(OCoLC)41070602
040			_aDLC _beng _erda _cDLC _dUk _dDLC _dATU
050	0	0	_aND1839.H63 _bA4 1999
082	0		_a759.13
100	1		_aMecklenburg, Virginia M. _q(Virginia McCord), _d1946- _eauthor. _9228394
245	1	0	_aEdward Hopper : _bthe watercolors / _cby Virginia M. Mecklenburg ; with contributions by Margaret Lynne Ausfeld.
264		1	_aWashington, D.C. : _bNational Museum of American Art, Smithsonian Institution ; _aNew York ; _aLondon : _bW.W. Norton, _c[1999]
264		4	_c©1999
300			_aix, 181 pages : _billustrations (some colour), maps, portrait ; _c31 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aCatalog of an exhibition held at the National Museum of American Art, Smithsonian Institution, Washington, D.C., Oct. 22, 1999-Jan. 3, 2000, and at the Montgomery Museum of Fine Arts, Montgomery, Ala., Jan. 30 - Mar. 26, 2000.
504			_aIncludes bibliographical references and index.
505	0		_aForeword / Elizabeth Broun and Mark Johnson -- 1. Introduction -- 2. Parisian Evenings and New York Corners -- 3. Old Houses and Immigrant Fishermen -- 4. Coast Guard Cottages and Civil War Cannon -- 5. Discovering Cape Cod -- 6. A Home of Their Own and Mexico Too.
520	1		_a"During the summer of 1923, Edward Hopper fled the summer heat of New York City with thousands of others. His destination was the resort town of Gloucester. It was there - perhaps inspired by the particular light and quality of the place - that he took up the medium of watercolor. It was also there that he met his future wife, fellow painter, and constant companion, Jo Nivison. Together that summer Hopper and Jo turned their backs on Gloucester Harbor and the forest of easels set up to depict that most popular of scenes. Instead they explored the back streets and outlying areas, discovering and painting the homes of sea captains and immigrant laborers, Coast Guard stations, and lighthouses."--BOOK JACKET.
520	8		_a"Virginia Mecklenburg, senior curator at the National Museum of American Art, and Margaret Lynne Ausfeld curator at the Montgomery Museum of Fine Arts, offer us in this volume the unique treatment of this aspect of Hopper's work as a coherent whole. In the watercolors we see a different facet of Hopper than the one we are accustomed to from his oils, for which be is better known today."--BOOK JACKET.
588			_aMachine converted from AACR2 source record.
600	1	0	_aHopper, Edward, _d1882-1967 _vExhibitions.
650		0	_aWatercolor painting, American _vExhibitions _9710309
650		0	_aWatercolor painting, American _y20th century _vExhibitions _9771918
700	1		_aHopper, Edward, _d1882-1967 _9390171
700	1		_aAusfeld, Margaret Lynne, _d1953- _9410284
710	2		_aSmithsonian Institution _9311685
907			_a.b1073028x _b11-07-17 _c27-10-15
998			_a(2)b _a(2)c _b06-04-16 _cm _da _feng _genk _h0
945			_a759.13 HOP _g1 _iA196209B _j0 _lcmain _o- _p$75.79 _q- _r- _s- _t0 _u7 _v0 _w0 _x0 _y.i11799663 _z29-10-15
942			_cB
999			_c1139685 _d1139685