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010			_a 2001536018
011			_aBIB MATCHES WORLDCAT
020			_a022404348X
020			_a9780224043489
035			_a(ATU)b10725441
035			_a(OCoLC)48893228
040			_aDLC _beng _erda _cDLC _dUKM _dTJC _dUKV3G _dNLGGC _dBTCTA _dYDXCP _dOCLCG _dUBC _dUKTTE _dHEBIS _dDEBBG _dOCL _dOCLCQ _dATU
042			_apcc
043			_ae-fr---
050	0	0	_aHN440.R3 _bH87 2001
082	0	4	_a303.484092 _221
100	1		_aHussey, Andrew, _eauthor. _91043936
245	1	4	_aThe game of war : _bthe life and death of Guy Debord / _cAndrew Hussey.
264		1	_aLondon : _bJ. Cape, _c2001.
300			_ax, 420 pages, 8 unnumbered pages of plates : _billustrations ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 396-405) and index.
520	1		_a"Since his death in 1994 (when he put a bullet through his heart in his lonely farmhouse) Guy Debord has been hailed as one of the key thinkers of the age. In Britain and the United States, his theories on the 'spectacle' of modern life were simultaneously hailed as deadly truths by underground subversives and accorded the highest academic prestige. In the same way, the Situationist International (SI), a volatile group of artists, revolutionaries, and intellectuals which Debord led through the 1950s and 1960s, is considered to be the most important art movement since Dada and the Surrealists." "This biography is an appraisal of a lone and defiant figure whose story both follows and, at one historic moment in 1968, appears to lead the drift of art and politics in post-war Paris. 'It could almost be believed that I was the only person to have loved Paris, ' Debord said. Then, almost with a shrug, 'But no one has twice raised Paris to revolt.'"--Jacket.
520	1		_a"Since his death in 1994 (when he put a bullet through his heart in his lonely farmhouse) Guy Debord has been hailed as one of the key thinkers of the age. In Britain and the United States, his theories on the 'spectacle' of modern life were simultaneously hailed as deadly truths by underground subversives and accorded the highest academic prestige. In the same way, the Situationist International (SI), a volatile group of artists, revolutionaries, and intellectuals which Debord led through the 1950s and 1960s, is considered to be the most important art movement since Dada and the Surrealists." "This biography is an appraisal of a lone and defiant figure whose story both follows and, at one historic moment in 1968, appears to lead the drift of art and politics in post-war Paris. 'It could almost be believed that I was the only person to have loved Paris,' Debord said. Then, almost with a shrug, 'But no one has twice raised Paris to revolt.'"--BOOK JACKET.
588			_aMachine converted from AACR2 source record.
600	1	0	_aDebord, Guy, _d1931-1994 _9312937
650		0	_aRadicals _zFrance _vBiography _9622555
856	4		_3Table of Contents _uhttp://catdir.loc.gov/catdir/toc/fy02/2001536018.html
856	4	2	_3Contributor biographical information _uhttp://catdir.loc.gov/catdir/bios/random053/2001536018.html
907			_a.b10725441 _b10-06-19 _c27-10-15
942			_cB
945			_a303.484092 HUS _g1 _iA284691B _j0 _lcmain _o- _p$66.18 _q- _r- _s- _t0 _u11 _v0 _w0 _x0 _y.i11792772 _z29-10-15
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999			_c1139403 _d1139403