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008 | 990823s1999 nyua b 001 0 eng d | ||
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_aDLC _beng _erda _cDLC _dUKM _dURC _dLVB _dUBA _dBAKER _dCRH _dBTCTA _dYDXCP _dVOV _dATU |
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_aN6757 _b.W513 1999 |
082 | 0 | 0 |
_a709.034 _221 |
100 | 1 |
_aWichmann, Siegfried, _d1921-2015 _eauthor. _91190280 |
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240 | 1 | 0 |
_aJaponismus. _lEnglish |
245 | 1 | 0 |
_aJaponisme : _bthe Japanese influence on Western art since 1858 / _cSiegfried Wichmann ; [translated from the German by Mary Whittall [and others]. . |
264 | 1 |
_aNew York, N.Y. : _bThames & Hudson, _c1999. |
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300 |
_a432 pages : _billustrations (some colour) ; _c30 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references (pages 417-419) and index. | ||
505 | 0 | _aIntroduction -- Japan and Western art -- Historical survey -- The study of Japonisme -- A case-study : the kimono -- Representative artists -- Manet -- Degas -- Van Gogh -- Gauguin and the white-line technique -- Line and dot in Van Gogh's drawings -- Gesture and grimace in Lautrec -- Vallotton's woodcuts and the Orient -- Birds, beasts and flowers -- Living creatures in art -- Trees -- Bamboo -- The art nouveau iris -- Gourds and autumn leaves -- Butterfly and peony -- The tiger -- The cat -- Waterfowl -- Birds of prey -- Cranes and herons -- Cock and hen -- The raven -- The wild carp -- Insects -- Objects from Eastern life -- The wave -- The bridge -- Rocks in the sea -- The folding screen -- The fan -- Pillar pictures and vertical formats -- The sword guard -- Decorative combs and hairpins -- The dyer's stencil -- Artistic devices -- Ornamental patterns -- Diagonal composition -- Composite formats -- Trellis and grille -- Truncated objects and oblique angles -- Posts as a spatial dividers -- The silhouette -- Symbols, themes and abstractions -- The spirit world -- Stylization and abstraction -- Signs and emblems -- Ceramics and glass -- Semi-precious stones and glassware -- Vessels on stands -- The bottle-gourd form -- The black-and-white effect -- The dragon motif -- Chinese ceramic forms -- Celadon and white porcelain -- Japanese tea ware and modern pottery -- House and garden -- The influence of the Japanese house -- Gardens -- Interiors and modules -- Calligraphy -- From Zen to Tachism. | |
520 | _aConsiders the influence of Japanese culture on Western art since 1858 through an examination of side-by-side displays of Japanese and Western art, grouped by subject matter. | ||
588 | _aMachine converted from AACR2 source record. | ||
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_aJaponism _9341355 |
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