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_aDLC _beng _erda _cDLC _dDLC _dATU |
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050 | 0 | 0 |
_aTR685. _bM65 1992 |
082 | 0 | _a779.0904074 | |
245 | 0 | 0 |
_aMontage and modern life, 1919-1942 / _cexhibition curators, Maud Lavin [and others] ; editor, Matthew Teitelbaum. |
246 | 3 | _aMontage and modern life, nineteen nineteen-nineteen forty two | |
246 | 3 | _aMontage and modern life, 1919 to 1942 | |
264 | 1 |
_aCambridge, Mass. : _bMIT Press ; _aBoston : _bInstitute of Contemporary Art, _c[1992] |
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264 | 4 | _c©1992 | |
300 |
_a208 pages : _billustrations ; _c27 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aCatalog of exhibition at the Institute of Contemporary Art, Boston, Ap. 7-June 7, 1992; Vancouver Art Gallery, Canada, Aug. 19-Oct. 18, 1992; Les Expositions du Palais des Beaux-Arts/De Tentoonstellingen van het Paleis voor Schone Kensten, Brussels, Nov. 3, 1992-Jan 3, 1993. | ||
504 | _aIncludes bibliographical references. | ||
505 | 0 | 0 |
_tPreface -- _tIntroduction -- _tPhotomontage, Mass Culture, and Modernity: Utopianism in the Circle of New Advertising Designers -- _tThe Wings of Hypothesis: On Montage and the Theory of the Interval -- _tFrom the Politics of Montage to the Montage of Politics: Soviet Practice 1919 through 1937 -- _t"Good fences make good neighbors": American resistance to photomontage between the wars -- _tSelected Bibliography -- _tChecklist to the Exhibition -- _tLenders to the Exhibition. |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aPhotomontage _vExhibitions _9709937 |
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700 | 1 |
_aLavin, Maud. _91043732 |
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700 | 1 |
_aTeitelbaum, Matthew, _eeditor. _91043733 |
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710 | 2 |
_aInstitute of Contemporary Art (Boston, Mass.) _9226612 |
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710 | 2 |
_aVancouver Art Gallery. _9229957 |
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710 | 2 |
_aPalais des beaux-arts (Brussels, Belgium) _9231122 |
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