000			02064cam a2200361 i 4500
005			20211103121643.0
008			920310s1979 nyuafh b 001 0 eng d
011			_aChanged OCLC from 958646544 to 59241177
020			_a0807610348 _qpbk.
020			_a9780807610343 _qpbk.
035			_a(ATU)b10706069
035			_a(OCoLC)59241177
040			_aABN _beng _erda _dATU
082	0		_a709.034
100	1		_aSchapiro, Meyer, _d1904-1996 _eauthor. _9390997
245	1	0	_aModern art, 19th & 20th centuries : _bselected papers / _cMeyer Schapiro.
246	3		_aModern art, 19th and 20th centuries
264		1	_aNew York : _bGeorge Braziller, _c1979.
264		3	_a[Place of publication not identified] : _b[publisher not identified]
300			_axi, 277 pages, 71 unnumbered pages of plates : _billustrations (some colour), facsimiles ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0	0	_tAcknowledgments -- _tPreface -- _tOn Some Problems in the Semiotics of Visual Art: Field and Vehicle in Image-Signs -- _tOn Perfection, Coherence, and Unity of Form and Content -- _tStyle (with bibliography) -- _tEugene Fromentin as Critic -- _tThe Still Life as a Personal Object - A Note on Heidegger and van Gogh -- _tFurther Notes on Heidegger and van Gogh -- _tFreud and Leonardo: An Art Historical Study -- _tFurther Notes on Freud and Leonardo -- _tDiderot on the Artist and Society -- _tMr. Berenson's Values -- _tOn the Relation of Patron and Artist: Comments on a Proposed Model for the Scientist -- _tList of Illustrations -- _tIndex.
588			_aMachine converted from AACR2 source record.
650		0	_aArt, Modern _y19th century _9314049
650		0	_aArt, Modern _y20th century _9314052
907			_a.b10706069 _b09-11-17 _c27-10-15
998			_a(2)b _a(2)c _b06-04-16 _cm _da _feng _gnyu _h0
945			_a709.034 SCH _g1 _iA197177B _j0 _lcmain _o- _p$50.53 _q- _r- _s- _t0 _u18 _v1 _w0 _x3 _y.i11742227 _z29-10-15
942			_cB
999			_c1138258 _d1138258