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035 | _a(OCoLC)34544160 | ||
040 |
_aATU _dATU |
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082 | 0 | _a701 | |
100 | 1 |
_aMortensen, Preben, _d1957- _9408858 |
|
245 | 1 | 0 |
_aArt in the social order : _bthe making of the modern conception of art. |
264 | 1 |
_aAlbany, N.Y. : _bState University of New York, _c1997. |
|
300 |
_aix, 213 p. ; _c24 cm. |
||
504 | _aIncludes bibliographical references. | ||
505 | 0 | 0 |
_tAcknowledgments -- _tIntroduction: The Modern Conception of Art -- _g1. _tThe Quest for the Essence of Art -- _g2. _tWittgensteinian Philosophies of Art -- _g3. _tArt as History and Theory -- _g4. _tThe Histories of Philosophy -- _g5. _tConceptions of History -- _g6. _tArt and Science -- _g7. _tNew Discoursive Practices -- _g8. _tArt, Manners, and the Presentation of the Self -- _g9. _tStandards of Taste -- _g10. _tShaftesbury and the Morality of Art Appreciation -- _g11. _tThe Reformation of Manners -- _g12. _tPoliteness -- _g13. _tHutcheson and the Problem of Conspicuous Consumption -- _g14. _tFrom the Morality to the Autonomy of Art -- _g15. _tArt, Autonomy, and Ideology -- _tNotes -- _tReferences -- _tIndex. |
650 | 0 |
_aAesthetics _9313475 |
|
650 | 0 |
_aAesthetics, Modern _y18th century _9313483 |
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_a.b10685388 _b22-08-17 _c27-10-15 |
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