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008 | 971215s1993 caua b s001 0 eng d | ||
010 | _a 93018080 | ||
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_a0520070666 _qalk. paper |
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043 | _an-us--- | ||
050 | 0 | 0 |
_aNX504 _b.K36 1993 |
082 | 0 | 4 | _a700.973 |
100 | 1 |
_aKaprow, Allan, _eauthor. _91042562 |
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245 | 1 | 0 |
_aEssays on the blurring of art and life / _cAllan Kaprow ; edited by Jeff Kelley. |
264 | 1 |
_aBerkeley : _bUniversity of California Press, _c[1993] |
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264 | 4 | _c©1993 | |
300 |
_axxvi, 258 pages : _billustrations ; _c24 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 |
_aLannan series of contemporary art criticism ; _v3 |
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504 | _aIncludes bibliographical references (pages 243-246) and index. | ||
505 | 0 | 0 |
_gPart I. The fifties -- _tThe legacy of Jackson Pollock _g(1958) -- _tNotes on the creation of a total art _g(1958) -- _gPart II. The sixties -- _tHappenings in the New York scene _g(1961) -- _tImpurity _g(1963) -- _tThe artist as a man of the world _g(1964) -- _tThe happenings are dead : Long live the happenings! _g(1966) -- _tExperimental art _g(1966) -- _tManifesto _g(1966) -- _tPinpointing happenings _g(1967) -- _tThe shape of the art environment _g(1968) -- _gPart III. The seventies -- _tThe education of the un-artist, _gPart I (1971) -- _gThe education of the un-artist, Part II (1972) -- _tDoctor MD _g(1973) -- _gThe education of the un-artist, Part III (1974) -- _tVideo art : old wine, new bottle _g(1974) -- _tFormalism : flogging a dead horse _g(1974) -- _tNontheatrical performance _g(1976) -- _tParticipation performance _g(1977) -- _tPerforming life _g(1979) -- _gPart IV. The eighties -- _tThe real experiment _g(1983) -- _tArt which can't be art _g(1986)-- _tRight living _g(1987) -- _gPart V. The nineties -- _tThe meaning of life _g(1990) |
520 | _a"As the creator of "Happenings" and "Environments," Allan Kaprow is the prince and prophet of all we call performance art today. He is also known for having written some of the most thoughtful, provocative, and influential essays of his generation. From "The Legacy of Jackson Pollock" in 1958 to "The Meaning of Life" in 1990, Kaprow has conducted a sustained philosophical inquiry into the paradoxical relationship of art to life, and thus into the nature of meaning itself. With the publication of this book, twenty-three of Kaprow's most significant essays are brought together in one volume for the first time.Kaprow charts his own evolution as an artist and also comments on contemporaneous developments in the arts. From the modernist avant-garde of the fifties to the current postmodern fin de siecle, Kaprow has written about--and from within--the shifting, blurring boundaries of genre, media, culture, and experience. Edited and introduced by critic Jeff Kelley, these essays bring into crisp focus the thinking of one of the most influential figures in the varied landscape of American art since the late 1950s."--Publisher description. | ||
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aArts, American _y20th century _9314170 |
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650 | 0 |
_aArts, American _9314158 |
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700 | 1 |
_aKelley, Jeff, _eeditor. _91042563 |
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830 | 0 |
_aLannan series of contemporary art criticism ; _v3. _91042564 |
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856 | 4 | 2 |
_3Contributor biographical information _uhttp://catdir.loc.gov/catdir/enhancements/fy0735/93018080-b.html |
907 |
_a.b10675772 _b11-05-21 _c27-10-15 |
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