000 03965cam a2200469 i 4500
005 20221101192642.0
008 971215s1993 caua b s001 0 eng d
010 _a 93018080
011 _aBIB MATCHES WORLDCAT
020 _a0520070666
_qalk. paper
020 _a9780520070660
_qalk. paper
020 _a0520205626
_qpbk
020 _a9780520205628
_qpbk
035 _a(ATU)b10675772
035 _a(OCoLC)27383157
040 _aDLC
_beng
_erda
_cDLC
_dUKM
_dLAS
_dBAKER
_dNLGGC
_dBTCTA
_dLVB
_dYDXCP
_dATU
043 _an-us---
050 0 0 _aNX504
_b.K36 1993
082 0 4 _a700.973
100 1 _aKaprow, Allan,
_eauthor.
_91042562
245 1 0 _aEssays on the blurring of art and life /
_cAllan Kaprow ; edited by Jeff Kelley.
264 1 _aBerkeley :
_bUniversity of California Press,
_c[1993]
264 4 _c©1993
300 _axxvi, 258 pages :
_billustrations ;
_c24 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 1 _aLannan series of contemporary art criticism ;
_v3
504 _aIncludes bibliographical references (pages 243-246) and index.
505 0 0 _gPart I. The fifties --
_tThe legacy of Jackson Pollock
_g(1958) --
_tNotes on the creation of a total art
_g(1958) --
_gPart II. The sixties --
_tHappenings in the New York scene
_g(1961) --
_tImpurity
_g(1963) --
_tThe artist as a man of the world
_g(1964) --
_tThe happenings are dead : Long live the happenings!
_g(1966) --
_tExperimental art
_g(1966) --
_tManifesto
_g(1966) --
_tPinpointing happenings
_g(1967) --
_tThe shape of the art environment
_g(1968) --
_gPart III. The seventies --
_tThe education of the un-artist,
_gPart I (1971) --
_gThe education of the un-artist, Part II (1972) --
_tDoctor MD
_g(1973) --
_gThe education of the un-artist, Part III (1974) --
_tVideo art : old wine, new bottle
_g(1974) --
_tFormalism : flogging a dead horse
_g(1974) --
_tNontheatrical performance
_g(1976) --
_tParticipation performance
_g(1977) --
_tPerforming life
_g(1979) --
_gPart IV. The eighties --
_tThe real experiment
_g(1983) --
_tArt which can't be art
_g(1986)--
_tRight living
_g(1987) --
_gPart V. The nineties --
_tThe meaning of life
_g(1990)
520 _a"As the creator of "Happenings" and "Environments," Allan Kaprow is the prince and prophet of all we call performance art today. He is also known for having written some of the most thoughtful, provocative, and influential essays of his generation. From "The Legacy of Jackson Pollock" in 1958 to "The Meaning of Life" in 1990, Kaprow has conducted a sustained philosophical inquiry into the paradoxical relationship of art to life, and thus into the nature of meaning itself. With the publication of this book, twenty-three of Kaprow's most significant essays are brought together in one volume for the first time.Kaprow charts his own evolution as an artist and also comments on contemporaneous developments in the arts. From the modernist avant-garde of the fifties to the current postmodern fin de siecle, Kaprow has written about--and from within--the shifting, blurring boundaries of genre, media, culture, and experience. Edited and introduced by critic Jeff Kelley, these essays bring into crisp focus the thinking of one of the most influential figures in the varied landscape of American art since the late 1950s."--Publisher description.
588 _aMachine converted from AACR2 source record.
650 0 _aArts, American
_y20th century
_9314170
650 0 _aArts, American
_9314158
700 1 _aKelley, Jeff,
_eeditor.
_91042563
830 0 _aLannan series of contemporary art criticism ;
_v3.
_91042564
856 4 2 _3Contributor biographical information
_uhttp://catdir.loc.gov/catdir/enhancements/fy0735/93018080-b.html
907 _a.b10675772
_b11-05-21
_c27-10-15
942 _cB
945 _a700.973 KAP
_g1
_iA146321B
_j0
_lcmain
_o-
_p$22.69
_q-
_r-
_s-
_t0
_u37
_v10
_w2
_x6
_y.i11618000
_z28-10-15
998 _a(2)b
_a(2)c
_b06-04-16
_cm
_da
_feng
_gcau
_h0
999 _c1136525
_d1136525