000 | 02858cam a22003854i 4500 | ||
---|---|---|---|
005 | 20221101192603.0 | ||
008 | 010206s2001 nyua bo 001 0 eng d | ||
010 | _a 2001021214 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 | _a0333919734 | ||
020 | _a9780333919736 | ||
035 | _a(DLC) 2001021214 | ||
035 | _a(OCoLC)45890427 | ||
040 |
_aDLC _beng _erda _dATU |
||
042 | _apcc | ||
050 | 0 | 0 |
_aGV1594. _bB75 2001 |
082 | 0 | _a792.8 | |
100 | 1 |
_aBriginshaw, Valerie A., _eauthor. _91042497 |
|
245 | 1 | 0 |
_aDance, space, and subjectivity / _cValerie Briginshaw. |
264 | 1 |
_aNew York : _bPalgrave, _c2001. |
|
300 |
_axviii, 234 pages, 8 unnumbered pages of plates : _billustrations, portraits ; _c23 cm |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
504 | _aIncludes bibliographical references (pages 213-221) and index. | ||
505 | 0 | 0 |
_g1. _tIntroduction -- _gPt. I. _tConstructions of Space and Subjectivity. _g2. _tTravel metaphors in dance - gendered constructions of travel, spaces and subjects. _g3. _tTransforming city spaces and subjects. _g4. _tCoastal constructions in Lea Anderson's Out on the Windy Beach -- _gPt. II. _tDancing in the 'In-Between Spaces'. _g5. _tDesire spatialized differently in dances that can be read as lesbian. _g6. _tHybridity and nomadic subjectivity in Shobana Jeyasingh's Duets with Automobiles. _g7. _tCrossing the (black) Atlantic: spatial and temporal displacements in Meredith Monk's Ellis Island and Jonzi D's Aeroplane Man -- _gPt. III. _tInside/Outside Bodies and Spaces. _g8. _tFleshy corporealities in Trisha Brown's If You Couldn't See Me, Lea Anderson's Joan and Yolande Snaith's Blind Faith. _g9. _t'Carnivalesque' subversions in Mark Morris' Dogtown, Liz Aggiss' Grotesque Dancer and Emilyn Claid's Across Your Heart. _g10. _tArchitectural spaces in the choreography of William Forsythe and De Keersmaeker's Rosas Danst Rosas. |
520 | 1 | _a"This book contains close readings of postmodern dances and dance films informed by current critical theories. It explores the roles dance and space play in constructing subjectivity. Focusing on site-specific dance, the mutual construction of bodies and spaces, body/space interfaces and in-between spaces, the dances and dance films are read 'against the grain' to reveal their potential for troubling conventional notions of subjectivity associated with a white, Western, heterosexual, able-bodied male norm."--BOOK JACKET. | |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aDance _vReviews _9342095 |
|
650 | 0 |
_aPostmodernism. _9322618 |
|
907 |
_a.b10673404 _b03-10-17 _c27-10-15 |
||
942 | _cB | ||
945 |
_a792.8 BRI _g1 _iA286993B _j0 _lcmain _o- _p$146.64 _q- _r- _s- _t0 _u15 _v1 _w0 _x1 _y.i11611066 _z28-10-15 |
||
998 |
_a(2)b _a(2)c _b06-04-16 _cm _da _feng _gnyu _h0 |
||
999 |
_c1136382 _d1136382 |