| 000 | 01938cam a2200373 i 4500 | ||
|---|---|---|---|
| 005 | 20221101192514.0 | ||
| 008 | 931201s1994 ilu b 001 0 eng d | ||
| 010 | _a 93045855 | ||
| 011 | _aBIB MATCHES WORLDCAT | ||
| 020 |
_a0226521435 _qpbk. (alk. paper) |
||
| 020 |
_a9780226521435 _qpbk. (alk. paper) |
||
| 035 | _a(ATU)b10669838 | ||
| 035 | _a(OCoLC)29549458 | ||
| 040 |
_aDLC _beng _erda _dATU |
||
| 050 | 0 | 0 |
_aML3800. _bM633 1994 |
| 082 | 0 | _a780.904 | |
| 100 | 1 |
_aMeyer, Leonard B., _eauthor. _91042418 |
|
| 245 | 1 | 0 |
_aMusic, the arts, and ideas : _bpatterns and predictions in twentieth-century culture / _cby Leonard B. Meyer ; with a new postlude. |
| 264 | 1 |
_aChicago : _bUniversity of Chicago Press, _c[1994] |
|
| 264 | 4 | _c©1994 | |
| 300 |
_axi, 376 pages ; _c22 cm |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
||
| 504 | _aIncludes bibliographical references (pages 351-362) and index. | ||
| 505 | 0 | 0 |
_g1. _tMeaning in Music and Information Theory -- _g2. _tSome Remarks on Value and Greatness in Music -- _g3. _tOn Rehearing Music -- _g4. _tForgery and the Anthropology of Art -- _g5. _tThe End of the Renaissance? -- _g6. _tHistory, Stasis, and Change -- _g7. _tVarieties of Style Change -- _g8. _tThe Probability of Stasis -- _g9. _tThe Aesthetics of Stability -- _g10. _tThe Arguments for Experimental Music -- _g11. _tThe Perception and Cognition of Complex Music -- _g12. _tFunctionalism and Structure -- _tPostlude -- _tBibliography -- _tIndex. |
| 588 | _aMachine converted from AACR2 source record. | ||
| 650 | 0 |
_aMusic _xPhilosophy and aesthetics _9321199 |
|
| 650 | 0 |
_aMusic _y20th century _xHistory and criticism _9775717 |
|
| 907 |
_a.b10669838 _b11-07-17 _c27-10-15 |
||
| 942 | _cB | ||
| 945 |
_a780.904 MEY _g1 _iA249251B _j0 _lcmain _o- _p$45.00 _q- _r- _s- _t0 _u6 _v2 _w0 _x1 _y.i11598086 _z28-10-15 |
||
| 998 |
_a(2)b _a(2)c _b06-04-16 _cm _da _feng _gilu _h0 |
||
| 999 |
_c1136190 _d1136190 |
||