000 | 01919cam a2200409 i 4500 | ||
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005 | 20211103124807.0 | ||
008 | 001213s2001 inua bq s001 0 eng d | ||
010 | _a 00054267 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a0253214696 _qpaper (alk. paper) |
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020 |
_a9780253214690 _qpaper (alk. paper) |
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020 |
_a0253339545 _qcl _qalk. paper |
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020 |
_a9780253339546 _qcl _qalk. paper |
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035 | _a(ATU)b10606853 | ||
035 | _a(DLC) 00054267 | ||
035 | _a(OCoLC)45618222 | ||
040 |
_aDLC _beng _erda _dATU |
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050 | 0 | 0 |
_aPN1995.9.D6 _bN539 2001 |
082 | 0 | _a070.18 | |
100 | 1 |
_aNichols, Bill, _d1942- _eauthor. _9229660 |
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245 | 1 | 0 |
_aIntroduction to documentary / _cBill Nichols. |
264 | 1 |
_aBloomington, Ind. : _bIndiana University Press, _c[2001] |
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264 | 4 | _c©2001 | |
300 |
_axviii, 223 pages : _billustrations ; _c23 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references (pages 179-190) and index. | ||
504 | _aIncludes filmography (p. 191-199). | ||
505 | 0 | 0 |
_g1. _tWhy Are Ethical Issues Central to Documentary Filmmaking? -- _g2. _tHow Do Documentaries Differ from Other Types of Film? -- _g3. _tWhat Gives Documentary Films a Voice of Their Own? -- _g4. _tWhat Are Documentaries About? -- _g5. _tHow Did Documentary Filmmaking Get Started? -- _g6. _tWhat Types of Documentary Are There? -- _g7. _tHow Have Documentaries Addressed Social and Political Issues? -- _g8. _tHow Can We Write Effectively about Documentary? |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aDocumentary films _xHistory and criticism _9371494 |
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907 |
_a.b10606853 _b03-10-17 _c27-10-15 |
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998 |
_ab _a(2)c _b06-04-16 _cm _da _feng _ginu _h0 |
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_a070.18 NIC _g0 _iA257102B _j0 _lcmain _o- _p$79.96 _q- _r- _s- _t0 _u80 _v6 _w2 _x0 _y.i11429859 _z28-10-15 |
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942 | _cB | ||
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_c1132654 _d1132654 |