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005 | 20221101190914.0 | ||
008 | 010820s2002 njua b 001 0 eng d | ||
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011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a0813530598 _qpbk. (alk. paper) |
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020 |
_a9780813530598 _qpbk. (alk. paper) |
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020 |
_a081353058X _qalk. paper |
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020 |
_a9780813530581 _qalk. paper |
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035 | _a(DLC) 2001048403 | ||
035 | _a(OCoLC)48013676 | ||
040 |
_aDLC _beng _erda _dATU |
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042 | _apcc | ||
050 | 0 | 0 |
_aHM846. _bG73 2002 |
082 | 0 | _a306.46 | |
100 | 1 |
_aGraham, Elaine L., _eauthor. _91040715 |
|
245 | 1 | 0 |
_aRepresentations of the post/human : _bmonsters, aliens, and others in popular culture / _cElaine L. Graham. |
264 | 1 |
_aNew Brunswick, N.J. : _bRutgers University Press, _c2002. |
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300 |
_axi, 259 pages : _billustrations ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references (pages 235-251) and index. | ||
505 | 0 | 0 |
_tPreface: On cathedrals, canals and computers -- _tIntroduction: Mapping the post/human -- _gPt. I. _tScience/Fiction. _g1. _tRepresenting the post/human. _g2. _tThe gates of difference -- _gPt. II. _tMonstrosity, Genealogy and Representation. _g3. _tWhat made Victor's creature monstrous? _g4. _tBody of clay, body of glass. _g5. _tIn whose image? The politics of representation -- _gPt. III. _tPost/Humanities. _g6. _tMuch ado about Data. _g7. _t'Nietzsche gets a modem': transhumanism and the technological sublime. _g8. _tThe end of the 'human'? _g9. _tCyborg writing. _g10. _tGods and monsters. |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aTechnology _xSocial aspects _9324865 |
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650 | 0 |
_aBiotechnology _xSocial aspects _9632453 |
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650 | 0 |
_aCybernetics _xSocial aspects _9632360 |
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650 | 0 |
_aPopular culture _9322576 |
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650 | 0 |
_aPostmodernism. _9322618 |
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907 |
_a.b10602756 _b03-10-17 _c27-10-15 |
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