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008 | 890101s1989 enka b 001 0 eng d | ||
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_a0852742355 _qcased |
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035 | _a(OCoLC)19886264 | ||
040 |
_aDLC _beng _erda _cDLC _dUKM _dDUQ _dUBA _dBTCTA _dYDXCP _dATU |
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050 | 0 | 0 |
_aML3805 _b.J63 1989 |
082 | 0 | 0 | _a781.1 |
100 | 1 |
_aJohnston, Ian D. _eauthor. _9286150 |
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245 | 1 | 0 |
_aMeasured tones : _bthe interplay of physics and music / _cby Ian Johnston. |
264 | 1 |
_aBristol ; _aPhiladelphia : _bInstitute of Physics Publishing, _c1989. |
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300 |
_axi, 397 pages : _billustrations ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _a"Reprinted with corrections 1993"--Verso t.p. | ||
504 | _aIncludes bibliographical references (pages 378-383) and index. | ||
505 | 0 | 0 |
_tList of tables -- _tPrologue -- _g1. _tWhy these and not others? -- _tLength of strings -- _tHarmonious intervals -- _tPythagoras -- _tPentatonic and Pythagorean scales -- _tPtolemy -- _tBoethius -- _g2. _tMusic and scientific method -- _tMedieval music -- _tJosquin -- _tCopernicus -- _tKepler -- _tGalileo -- _tVibrations -- _tPendulums and strings -- _tConsonance -- _tMeasurement of frequency -- _tStandards of pitch -- _tInterlude 1: Brass instruments -- _g3. _tThe harmonies of a mechanical universe -- _tMechanical forces -- _tEnergy -- _tOscillation theory -- _tMersenne's Laws -- _tBaroque music -- _tInstruments -- _tEqual temperament -- _tInterlude 2: The piano -- _g4. _tOvertones of enlightenment -- _tNewton and the Age of Reason -- _tVisualization of oscillations -- _tOvertones -- _tHarmonic analysis and synthesis -- _tRameau and harmony -- _tEnd of the Enlightenment -- _tInterlude 3: The violin -- _g5. _tOver the waves -- _tWave theory -- _tSpeed of sound -- _tWave properties: reflection, absorption, diffraction -- _tHuygens and Young -- _tStanding waves -- _tInterlude 4: Acoustics in architecture -- _g6. _tThe romance of electricity -- _tThe Romantic movement -- _tStudy of electricity, Faraday -- _tAcoustics -- _tEnergy coupling and acoustic impedance -- _tMismatch theorem -- _tStanding waves in air columns -- _tInterlude 5: Woodwind instruments -- _g7. _tSummertime in Heidelberg -- _tWagner and Helmholtz -- _tTheory of resonance -- _tWorking of the ear -- _tPitch recognition and discrimination -- _tPsycho-acoustics -- _tTheory of consonance -- _tInterlude 6: Percussion instruments -- _g8. _tO brave new world -- _tCommunication devices: microphones, gramophones, valves, transistors -- _tEffect on music -- _tModern sound engineering: frequency response, transients -- _tTechnology -- _tInterlude 7: Electronic instruments -- _g9. _tI think, therefore I am -- _tTheory of communication -- _tInformation -- _tComputers -- _tComputer composition -- _tInterlude 8: Sublimest of instruments, the voice -- _tEpilogue -- _gApp. 1. _tMusical notation -- _gApp. 2. _tLogarithms -- _gApp. 3. _tMeasurement of pitch intervals -- _gApp. 4. _tMeasurement of loudness -- _gApp. 5. _tAcoustic impedance -- _gApp. 6. _tPentatonic scales -- _tBibliography -- _tAccompanying web site -- _tIndex. |
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_aMusic _xAcoustics and physics _9321198 |
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