000			02067cam a22004334i 4500
005			20211103172053.0
008			011017s2002 caua b 001 0 eng d
010			_a 2001006455
011			_aBIB MATCHES WORLDCAT
020			_a0520235150 _qalk. paper _qpbk.
020			_a9780520235151 _qalk. paper _qpbk.
020			_a0520229533 _qalk. paper _qcloth
020			_a9780520229532 _qalk. paper _qcloth
035			_a(ATU)b10576824
035			_a(DLC) 2001006455
035			_a(OCoLC)48221364
040			_aDLC _beng _erda _dATU
042			_apcc
043			_an-us-ca
050	0	0	_aNX511.L67 _bC48 2002
082	0		_a700.979494
100	1		_aCheng, Meiling, _d1960- _eauthor. _9405983
245	1	0	_aIn other Los Angeleses : _bmulticentric performance art / _cMeiling Cheng.
264		1	_aBerkeley : _bUniversity of California Press, _c[2002]
264		4	_c©2002
300			_axxxiv, 407 pages : _billustrations ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_a"Published in association with the Southern California Studies Center of the University of Southern California.".
504			_aIncludes bibliographical references (pages 353-392) and index.
505	0	0	_g1. _tInscribing Multicentricity: Performing Other Los Angeleses -- _g2. _tOut of Order: Reading, Writing, Performing (in) L.A. -- _g3. _tEngendering Other/Selves: Suzanne Lacy -- _g4. _tElia Arce: A Skin Test and a Tongue Transplant -- _g5. _tA Hetero-locus in Process: Self Performances at Highways -- _g6. _tWhat's in a Name? Marking Sacred Naked Nature Girls -- _g7. _tKinesthetic Transmutation of Theatricality: Consuming Art Performances.
588			_aMachine converted from AACR2 source record.
650		0	_aPerformance art _zCalifornia _zLos Angeles _9612908
907			_a.b10576824 _b03-10-17 _c27-10-15
998			_a(2)b _a(2)c _b06-04-16 _cm _da _feng _gcau _h0
945			_a700.979494 CHE _g1 _iA255892B _j0 _lcmain _o- _p$119.99 _q- _r- _s- _t0 _u5 _v0 _w0 _x1 _y.i1135916x _z28-10-15
942			_cB
999			_c1131013 _d1131013