000			03210cam a2200433 i 4500
005			20221101185654.0
008			970926s1995 miua b 001 0 eng d
010			_a 95016051
011			_aBIB MATCHES WORLDCAT
020			_a0472105795 _qalk. paper
020			_a9780472105793 _qalk. paper
035			_a(ATU)b10552248
035			_a(OCoLC)32347678
040			_aDLC _beng _erda _cDLC _dEL$ _dBAKER _dNLGGC _dBTCTA _dYDXCP _dOCLCG _dUAB _dHEBIS _dATU
050	0	0	_aP47 _b.G75 1995
082	0	0	_a801.959 _220
100	1		_aGrigely, Joseph, _d1956- _eauthor. _9405540
245	1	0	_aTextualterity : _bart, theory and textual criticism / _cJoseph Grigely.
264		1	_aAnn Arbor : _bUniversity of Michigan Press, _c[1995]
264		4	_c©1995
300			_axiii, 208 pages : _billustrations ; _c24 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aEditorial theory and literary criticism
504			_aIncludes bibliographical references (pages 183-202) and index.
505	0		_aIntroduction: Art History and Textual Criticism -- Ch. 1. Textual Eugenics -- Ch. 2. Textualterity -- Ch. 3. The Textual Event -- Ch. 4. Textual Space -- Ch. 5. Intratextuality.
520			_aHow might it be that works of art and literature are not just made, but unmade, remade, and made over? Joseph Grigely argues that it is the very nature of art to incorporate change by editors and conservators as it is resituated in different publications and exhibition sites. Asserting that the common editorial practice of creating eclectic texts is essentially a eugenic practice based on Romanticism's desire for racial and textual purity, Grigely reconceives the notion of textual difference, or textualterity.
520	8		_aGrigely draws not only on a wide range of cultural transformations in nineteenth- and twentieth-century literature - including Thomas Bowdler's 1818 edition of Shakespeare and the Reader's Digest condensed edition of Tom Sawyer - but on a detailed exploration of recent controversies in the arts - including the cleaning of the Sistine Chapel, the removal of Richard Serra's site-specific sculpture, Titled Arc, and vandalism to works by Michelangelo, Rodin, and Davis Hammons - to argue for the need to understand these textual transformations as fundamental cultural phenomena. In a concluding chapter devoted to Jackson Pollock's Number 1, 1950 (Lavender Mist), Grigely shows how the title and the media of Pollock's painting have been changed (by friends, curators, and an inch-long cicada) in ways that ultimately affect our conceptualization of the work of art as a timeless object.
588			_aMachine converted from AACR2 source record.
650		0	_aCriticism, Textual _9316357
650		0	_aArt and literature _9314081
650		0	_aTransmission of texts _9325209
830		0	_aEditorial theory and literary criticism. _91038346
907			_a.b10552248 _b23-03-18 _c27-10-15
942			_cB
945			_a801.959 GRI _g1 _iA139848B _j0 _lcmain _mIR01:15-10-21: cancelled by .p17907883@9umel _o- _p$70.79 _q- _r- _s- _t0 _u6 _v0 _w0 _x0 _y.i11260208 _z28-10-15
998			_ab _ac _b23-03-18 _cm _da _feng _gmiu _h0
999			_c1129671 _d1129671