000			04091cam a2200541 i 4500
003			OCoLC
005			20221101185422.0
008			810413s1982 nyua b 001 0 eng d
010			_a 80008702
011			_aMARC Score : 10600(22900) : OK
011			_aDirect Search Result
011			_aBIB MATCHES WORLDCAT
020			_a0064334260
020			_a9780064334266
020			_a0064301125 _qpbk.
020			_a9780064301121 _qpbk.
035			_a(ATU)b10539931
035			_a(OCoLC)7460461
040			_aDLC _beng _erda _cDLC _dUKM _dBAKER _dBTCTA _dYDXCP _dLVB _dCWS _dDEBBG _dBDX _dOCLCF _dP4I _dOCL _dOCLCQ _dATU
043			_an-us---
050	0	0	_aN6512 _b.A586 1982
082	0	0	_a700.973 _219
245	0	0	_aAmerican artists on art from 1940 to 1980 / _cedited by Ellen H. Johnson.
246	3		_aAmerican artists on art from nineteen forty to nineteen eighty
250			_aFirst edition.
264		1	_aNew York : _bHarper & Row, _c[1982]
264		4	_c©1982
300			_axii, 274 pages : _billustrations ; _c23 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aIcon editions
504			_aIncludes bibliographical references and index.
505	0		_aAbstract Expressionism -- Other art of the forties and fifties -- Color field painting -- Happenings and other pre-Pop art -- Pop art -- Minimal art -- Systemic and conceptual art -- Photo-realist painting and super-realist sculpture -- Earth and Process art -- Site and architectural sculpture -- Performance art, film, and video -- Decorative, narrative, and popular image painting and installation.
520			_a"From the Preface:The fact that so much of modern art has devoted itself to the exploration and assertion of its own identity is reflected in, but does not explain, the increasing amount of writing and talking on the part of contemporary artists. Rather, the whole history of the changing role of art and artists in a democratic, industrial, and technological society stands behind the spate of artists’ words and the public’s hunger for them—even some of the general public out there beyond art’s little circle. Statements by artists appeal somewhat the way drawings do: they bring us, or at least they hold the promise of bringing us, closer to the artist’s thoughts and feelings and to an understanding of his or her modus operandi; they hold the keys to a mysterious realm. And sometimes they offer us the sheer pleasure of good reading. Such is the primary raison d’être of this book.Its other motivation is educational, and stems from the frustrating lack, in teaching contemporary art, of any single compilation of statements by American artists from 1940 to the present.… This anthology differs in several respects from those others that do include documents of American art since 1940.… The selection I have made is devoted exclusively to statements of artists; it is limited to the last four decades; it presents in a single volume a representative and fairly comprehensive coverage of major developments in American art beginning with Abstract Expressionism; and, whenever possible, it cities the first, or among the very earliest, documents signalizing a shift in the definition, intent, or direction of art.”"--Publisher description.
588			_aMachine converted from AACR2 source record.
650		0	_aArt, American _y20th century _9314057
650		0	_aHappenings (Art) _zUnited States _9610939
650		0	_aArtists as authors _zUnited States _9610943
700	1		_aJohnson, Ellen H., _eeditor. _91037802
776	0	8	_iOnline version: _tAmerican artists on art from 1940 to 1980. _b1st ed. _dNew York : Harper & Row, ©1982 _w(OCoLC)557658346
776	1	8	_w(OCoLC)12462561 _w(OCoLC)31720666 _w(OCoLC)42335199
830		0	_aIcon editions. _91020765
907			_a.b10539931 _b30-07-21 _c27-10-15
942			_cB
945			_a700.973 AME _g1 _iA070803B _j0 _lcmain _o- _p$36.00 _q- _r- _s- _t0 _u8 _v0 _w0 _x0 _y.i11220156 _z28-10-15
998			_a(4)b _a(4)c _b06-04-16 _cm _da _feng _gnyu _h0
999			_c1129063 _d1129063