000			07509cam a2200505 i 4500
003			OCoLC
005			20221101184526.0
008			020415s2001 nyu b 100 0 eng d
011			_aBIB MATCHES WORLDCAT
011			_aPHYSICAL source
035			_a(ATU)b10500819
035			_a(OCoLC)49585493
040			_aHAM _beng _erda _cHAM _dWY@ _dOCLCQ _dUV0 _dKLG _dOCLCF _dOCLCO _dLWU _dIXA _dLVB _dMTG _dYNG _dNMC _dOCL _dOSU _dATU
050		4	_aGV1583 _b.C68 2001
082	0	4	_a792.807
110	2		_aCongress on Research in Dance. _bConference _n(34th : _d2001 : _cNew York, N.Y.)
245	1	0	_aTransmigratory moves : _bdance in global circulation : conference proceedings, Congress on Research in Dance, October 26-28, 2001 / _c[edited by] Janice LaPointe-Crump.
246	1		_iAt head of title: _aCORD 2001
246	3		_aCORD 2001, Transmigratory moves, Dance in global circulation
246	3		_aConference proceedings, Congress on Research in Dance, October 26-28, 2001
264		1	_a[Brockport, NY?] : _bCongress on Research in Dance, _c2001.
300			_a2 volumes ; _c28 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aA collection of edited papers provided by those authors who chose to contribute their papers as a record of the conference.
500			_aConference sponsors and venues: The Department of Performance Studies, Tisch School of the Arts; Gallatin School of Individualized Study, New York University; Judson Memorial Church; The Kitchen; Apple, 17 Waverly Place.
504			_aIncludes bibliographical references.
505	0	0	_gv. 1. Congress on research in dance -- _tOpen bodies: (x) change of identity in Capoeira and contact improvisation -- _tFusion, tradition in movement -- _tFeeling and connection: a qualitative study of dance movement -- _tTransforming Paulo Freire's liberatory pedagogy into pedagogy for dance -- _tCultural borrowing and appropriation be damned: issues in the ethno-asethetics of the urban English dancing landscape -- _tResearching the residency: British dance goes contemporary -- _tMusical reconversion: the national legacy of the Pasillo's productive ambiguity -- _tHealing and performance: southern Italian tarantella -- _tConnected dance: distributed performance across time zones -- _tThe shattered body -- _tLindas Odaliscas: Afro-orientalism in Brazilian belly dancing -- _tHistorical re-entactment: fact or fiction? Can we achieve historical accuracy when re-entacting period social dance? -- _tChop suey dances -- _tSt Denis and Butoh: dances of light and darkness -- _t"No, no; I'm looking for the real Balinese dance": the pleasures and pitfalls of researching dance in a transmigatory world -- _tFrom passacaglia to body automatic ... : embodying the human and posthuman -- _t"On the outside looking in and loving it learning": a philosophical look at the position of women of color in dance studies and dance studies in Academia: a study within a study -- _tOut of context: exploring the use of gesture in Bharata Natyam -- _tSomatics in global circulation -- _tTeaching conditions theory -- _tUsing geography information software to teach Hula activities from Hawaii to Texas -- _tBuilding shared east/central European cultural partnerships: agenda, inter-region and with the U.S. -- _tTowards a globalization of dance research: the scholarly disciplines -- _tMovement dictionary of Okinawan dance: as a digital database of Asian-Pacific dance research -- _tVaslav Nijinksy in western imagination -- _tThe lindy hops the Atlantic: the jitterbug and jive in Britain, 1939-1945 -- _tPlacing our (disabled) selves: everyday practices, map-making and embodied syntax -- _tCultures in dance institutions -- _tNature as essence: Al Huang's east-west synthesis in modern dance -- _tTraveling with tango: an ethnographer's dance -- _tWhere the African disapora and western Canada meet: a case study of decidedly jazz danceworks -- _tFusion: globalising the local and localising the global: the case of the lindy and other fusion dances/musics -- _tDancing in Utopia -- _tDefining the African American presence in postmodern dance from the Judson Church era to the 1990s -- _tTransitions of dancers and choreographers from the West Australian Academy of Performing Arts at Edith Cowan University to the profession -- _tTransitions of dancers and choreographers from the University of North Carolina at Greensboro to the profession -- _tWhere Africa meets Europe: Afro-colonial influences as seen in the tradition of the mirrored devils of Panama -- _tAn encounter with otherness: the relation of the dancer and the choreographer -- _tYup'ik dance traditions: innovation and survival -- _tInventing tradition: the global development of Irish dance -- _tAccommodating indivudalism in socialism: the Guangdong Modern Dance Company -- _gv. 2. Proceedings supplement -- _t2001 CORD honor award receipients -- _tCORD conference schedule -- _tOfficers of the Congress on Research in Dance -- _tA dispora of Native American dance -- _tThe convergence of orientalism and Parisian occultism in the dances of Valentine de St. Point.
520			_aThis year's conference explores the ways in which dance forms circulate across communities, regions and nations, acquiring new meanings as they travel. While the term "globalization" has gained currency in scholarly debates of recent years, the dispersion of performance practices is hardly a new phenomenon. Thus, the conference includes both historical and contemporary analyses of dances' migrations. What happens when dances migrate? It is common knowledge that founding figures in European and Euro-American modern dance appropriated Asian movement vocabularies in their choreographies. But scholars are only beginning to examine the ways in which Latin American, African, and Asian "fokloric" dance convention has been inflected by European concert dance training and stage practice, as well as MTV choreographers. By focusing on the circulation of movement styles, pedagogies and performance conventions, we hope to trouble some of the categoric distinctions which have tended to divide dance research: between "Western" and "non-Western", "classical" and "folkloric", and "ritual", "social" and "theatrical" genres. Arguably, the histories of many contemporary dance forms are more complex than such restrictive categories would admit ...
588			_aMachine converted from AACR2 source record.
650		0	_aDance _vCongresses _9371707
700	1		_aLaPointe-Crump, Janice D. _9234904
710	2		_aTisch School of the Arts. _bDepartment of Performance Studies _9474916
710	2		_aNew York University. _bGallatin School of Individualized Study _9474917
710	2		_aJudson Memorial Church (New York, N.Y.) _91035709
710	2		_aKitchen Center for Video, Music, Dance, Performance, Film, and Literature (New York, N.Y.) _91035711
710	2		_aApple Restaurant & Bom Bar NYC. _91035713
776	0	8	_iOnline version: _aCongress on Research in Dance. Conference (34th : 2001 : New York, N.Y.). _tTransmigratory moves. _d[Brockport, NY?] : Congress on Research in Dance, 2001 _w(OCoLC)647065040
776	1	8	_w(OCoLC)49851085 _w(OCoLC)62692940 _w(OCoLC)81723792 _w(OCoLC)83736048 _w(OCoLC)224370496 _w(OCoLC)244296725 _w(OCoLC)654839132
907			_a.b10500819 _b06-09-21 _c27-10-15
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