000 | 03729cam a2200433 i 4500 | ||
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003 | OCoLC | ||
005 | 20211129182207.0 | ||
008 | 700918s1969 nyuac b 001 0 eng d | ||
010 | _a 76076556 | ||
011 | _aMARC Score : 10400(20950) : OK | ||
011 | _aDirect Search Result | ||
011 | _aBIB MATCHES WORLDCAT | ||
035 | _a(OCoLC)92410 | ||
040 |
_aDLC _beng _erda _cDLC _dOCLCQ _dOCL _dBTCTA _dMUQ _dSINLB _dISU _dMCN _dGBVCP _dOCLCO _dOCLCF _dSDA _dATU |
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050 | 0 | 0 |
_aTR15 _b.P55 1969 |
082 | 0 | 0 | _a779 |
082 | 0 | 4 |
_a770.9 _221 |
082 | 0 | 4 |
_a779.09 _222 |
100 | 1 |
_aPollack, Peter, _d1909-1978. _9238197 |
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245 | 1 | 4 |
_aThe picture history of photography : _bfrom the earliest beginnings to the present day. |
250 | _aRevised and enlarged edition. | ||
264 | 1 |
_aNew York : _bH.N. Abrams, _c[1969] |
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300 |
_a708 pages : _billustrations (some colour), portraits ; _c29 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aThe beginnings of photography -- The long road to photography -- Niepce: the world's first photographer -- Daguerre and the daguerrotype -- The daguerreotype in Europe -- The daguerreotype in America -- Masters of the nineteenth century -- Negatives and positives -- Fox Talbot -- Hill and Adamson: the great collaboration -- Early wet-plate photography -- Hesler: Chicago pioneer -- The stereoscope: pictures in pairs -- Nadar: "the Titian of photography" -- The ubiquitous carte de visite -- Julia Margaret Cameron: portraits out of focus -- Rejlander, Robinson, and "art" photography -- Brady: cameraman of the Civil War -- Pioneers of the west -- Muybridge and Eakins: photography of motion -- Footlights, skylights, and tintypes -- The "detective" camera and the Kodak -- Masters of the modern era -- Photography comes of age -- Stieglitz: an American legend -- Steichen: painter, photographer, curator -- Lartigue: boy photographer of La Belle Epoque -- Atget and the streets of Paris -- Riis and Hine: social idealists with the camera -- Genthe: celebrities and anonymous throngs -- Edward West: a new vision -- Lensless photography -- Roy Stryker: documentaries for government and industry -- Ansel Adams: interpreter of nature -- Masters of the miniature camera: Salomon and Eisenstaedt -- Margaret Bourke-White: roving recorder -- Color: another dimension -- Exploring the new horizon -- Extending the range of human vision -- Photography for science -- Photography today -- Postwar trends -- Doisneau: humorist with a camera -- David Douglas Duncan: lensman of the Marines -- Brassai's probing vision -- Callahan and Siskind: the magic of the commonplace -- Van der Elsken: storyteller in photographs -- Cartier-Bresson and the human comedy -- Yousuf Karsh: faces of destiny -- Andreas Feininger -- Robert Capa: men in combat -- Eugene Smith -- "Chim" -- David Seymour -- William Garnett: the world from upper air -- Bill Brandt -- Arnold Newman | |
505 | 0 | _aTodd Webb -- Lucien Clergue -- Gordon Parks -- Lennart Olson -- Bruce Davidson. | |
530 | _aAlso issued online. | ||
588 | _aMachine converted from non-AACR2, ISBD-encoded source record. | ||
650 | 0 |
_aPhotography _xHistory. _9372246 |
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776 | 0 | 8 |
_iOnline version: _aPollack, Peter, 1909-1978. _tPicture history of photography. _bRev. and enl. ed. _dNew York, H.N. Abrams [1969] _w(OCoLC)556523661 |
776 | 1 | 8 |
_w(OCoLC)59703988 _w(OCoLC)967090992 |
907 |
_a.b1049022x _b11-07-17 _c27-10-15 |
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